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Course Profile
Media Studies, Grade 11, Open, Public
Course Overview
Course
Profiles are professional development materials designed to help teachers
implement the new Grade 11 secondary school curriculum. These materials were
created by writing partnerships of school boards and subject associations. The
development of these resources was funded by the Ontario Ministry of Education.
This document reflects the views of the developers and not necessarily those of
the Ministry. Permission is given to reproduce these materials for any purpose
except profit. Teachers are also encouraged to amend, revise, edit, cut, paste,
and otherwise adapt this material for educational purposes.
Any
references in this document to particular commercial resources, learning
materials, equipment, or technology reflect only the opinions of the writers of
this sample Course Profile, and do not reflect any official endorsement by the
Ministry of Education or by the Partnership of School Boards that supported the
production of the document.
© Queen’s
Printer for Ontario, 2001
Public
District School Board Writing Team – Media Studies
Lead
Board
Kawartha Pine Ridge District School Board
Partner
Boards
Hastings Prince Edward District School Board
Simcoe County District School Board
Thames Valley District School Board
Trillium Lakelands District School Board
Project
Manager
Fiona White, Kawartha Pine Ridge District School Board
Course
Profile Writing Team
Kristen Clarke, Lead Writer, Hastings Prince Edward District School Board
Brian Buttery, Kawartha Pine Ridge District School Board
Ross Compton, Simcoe County District School Board
Tina Jones, Hastings Prince Edward District School Board
Matt Thurley, Simcoe County District School Board
Reviewers
Linda May Bell, ELAN
Angela Ferguson, Hastings Prince Edward District School Board
Associations
English Language Arts Network (ELAN)
Course Overview
Media Studies, Grade 11, Open, EMS3O
This
course emphasizes knowledge and skills that enable students to understand media
communication in the twenty-first century and to use media effectively and
responsibly. Through analysing the forms and messages of a variety of media
works and audience responses to them, and through creating their own media
works, students develop critical thinking skills, aesthetic and ethical
judgement, and skills in viewing, representing, listening, speaking, reading,
and writing.
Students
in this Open course have achieved success in Grade 10 Applied or Academic or
Locally Developed English courses. This course provides opportunities for
students to acquire knowledge, and both practical and critical thinking skills
to serve them for the rest of their lives. The units and activities outlined in
this profile have been designed to bring success to students who themselves
bring a range of prior knowledge, skills, and interests to the course. When
planning this course, the teacher should inquire into the facilities available.
This
course builds on the media studies strands of both the Applied and Academic
Grade 10 English courses. It provides students with a more focused inquiry into
media practices and encourages a broader range of activities that involve media
studies and media production. This course provides all students with the skills
and knowledge to analyse media, raise media awareness and to prepare for a life
which is inundated with media in its various forms. Emphasis is on the
students’ responses to media works and on the development of students’ specific
media literacy skills. Further emphasis is placed on identifying audience and
its response to media, as well as making aesthetic and ethical judgments on
media. Students create and critique media productions while focusing on the
skills of viewing, representing, listening, speaking, reading and writing.
·
This
course invites, but does not require, an approach to media studies involving
learning activities that require video and audio recorders and video editing
equipment. Teachers are encouraged to make equipment available to all students
where possible and when appropriate.
·
Reading
and writing are important components of this course, so all students will be
given opportunities to further develop their individual literacy skills.
·
Times
used for the unit are approximations.
·
Media
content and media forms change and evolve rapidly. Consequently, the teacher
must foster a flexible approach, allowing for current media issues and subjects
to become resources for daily teaching and learning activities.
·
This
course could be offered as part of a package with courses such as Media Arts
and/or Communication Technology which address different, but complementary,
perspectives on media issues. It could also be linked to cooperative education
credits.
·
This
course values students’ responses to contemporary media issues and practices.
·
All
students should be encouraged to develop their own media knowledge and to share
their media skills and abilities with other students and with the teacher.
·
A
persistent focus for the course should be the improvement of students’ specific
media literacy skills to foster a lifelong awareness of the influence and
pervasiveness of media in their lives.
·
Consideration
must be given to the facilities used for the delivery of this course.
Availability of audio-visual equipment, computers and the logistics of the
classroom must be considered for the variety of learning activities.
·
The
continuing expansion of careers in media warrants activities like field trips
to media destinations (television studio, radio station or newspaper office) or
invitations to guest speakers who work in media.
|
* Unit
1 |
Your
Generation |
22
hours |
|
Unit 2 |
Media
Issues |
23
hours |
|
Unit 3 |
Know
Your Rights! |
20
hours |
|
Unit 4 |
Media
Consumption |
23
hours |
|
Unit 5 |
Raise
the Hype! |
22
hours |
* This
unit is fully developed in this Course Profile.
Time: 22 hours
Unit
Description
As part
of the introduction to the course, students complete a diagnostic activity that
allows the teacher to assess the level of media awareness and knowledge
individuals bring to this course from personal experience and exposure to media
components in earlier grades. Teachers establish that students have the
necessary language and familiarity with basic media literacy and popular
culture to view media representations of themselves and critique them. Students
begin to keep a Media Log and Journal to track their consumption of media and
their deepening understanding of the ways in which media impacts on their
lives. Students analyse print and video works to understand how they are being
depicted as a group. They are challenged to decode the messages, both explicit
and implicit, that media gives them about themselves. Opportunities for whole
class, small group, and individual learning are provided, so that by the end of
the unit, the students are prepared to create a teen magazine that accurately
depicts their generation.
Strand(s)
& Learning Expectations
Strands(s): Media Text, Media Audiences, Media Production
Overall
Expectations: MTV.01, MTV.02, MAV.01, MAV.02,
MPV.01
Unit
Overview Chart
|
Cluster |
Expectations |
Assessment |
Focus and Suggested Activities |
|
1.1 Media and the Masses |
MTV.01, MT1.01, MT103, MT1.04, MT1.06,
MAV.02, MA1.03 |
K/U, T/I, A |
-
Introduce key terminology through review of a variety of magazines and
newspapers and identification of characteristics of media forms. Students
analyse media using a diagnostic chart to assess knowledge of form, audience,
aesthetic qualities, meaning and message |
|
1.2
Popular Products |
MAV.02,
MA2.01, MA2.02, MA2.03 |
T/I, C |
-
Develop a list of popular culture products and a definition of popular
culture, through small group discussion, and class consensus - Make a list of
Canadian popular culture products relevant to teens |
|
1.3 Is
that you on TV? It sure isn’t me! |
MTV.02,
MT1.03, MT2.01, MT2.02, MT2.04, MT2.05, MA1.01, MA1.02 |
T/I, C, A |
- Chart
how teens see themselves; look at clothing, style, language |
|
1.4
Sporting Ads: Who’s in the audience? |
MTV.01,
MTV.02, MT1.02, MT1.03, MT1.04, MT1.06, MAV.01, MAV.02, MA1.01, MA1.02,
MA2.04 |
K/U, T/I, C |
-
Discuss audience and target audience |
|
1.5 You
want something different? |
MTV.01,
MTV.02, MT1.01, MT1.04, MT1.06, MAV.01, MA1.01, MA1.02 |
A |
-
Analyse media alternatives |
|
1.6
Promote This! |
MTV.01,
MTV.02, MT1.02, MT1.03, MT1.04, MT1.05, MAV.01, MA1.02 |
A |
-
Compare two versions of the same movie poster for marketing techniques -
Examine and practise marketing techniques |
|
1.7 Not with them! Cliques in the media |
MTV.01, MTV.02,
MT1.03, MAV.02, MA1.01 |
A, C, T/I, K/U |
- Discuss cliques |
|
1.8 Pop Music and Video |
MTV.01, MTV.02, MT1.01, MT1.02, MT1.03,
MT1.04, MT1.05, MT2.01, MT2.02, MT2.04, MAV.02, MA1.01, MP2.01 |
A, C, T/I, K/U |
- View a selection of videos that focus on
teens How do teens want to be represented? |
|
1.9 The power of body language |
MTV.01, MT1.01, MT1.02, MT1.03, MT2.01,
MT2.02, MT2.03, MT2.04, MT2.05 |
T/I, C, K/U |
- Discuss how teen magazines depict gender
issues |
|
1.10
Know The Facts |
MPV.01,
MP1.01, MP1.02, MP1.03, MP1.04 |
A, C, T/I, K/U |
-
Create a presentation that deconstructs a teen media form |
K/U = Knowledge/Understanding C = Communication
T/I =
Thinking/Inquiry A
= Application
Time: 23 hours
Unit
Description
This unit
looks at media issues by exploring four areas in which media has a powerful
influence. The first section deals with stereotypes and how they are presented
in the media. The second section looks at the issue of violence in the media.
The unit also discusses and analyses the role of private and public media, and
the global influence of North American media. Students see that there are other
approaches to these issues besides the ones that are presented in the
mainstream media.
Strand(s)
& Learning Expectations
Overall
Expectations:
MTV.01, MTV.02, MAV.01, MAV.02, MPV.01, MPV.02.
Unit
Overview Chart
|
Cluster |
Expectations |
Assessment |
Focus and Suggested
Activities |
|
2.1 Stereotypes |
MT2.01, MT1.01, MT1.02, MT1.04, MA1.01,
MA1.02, MP1.01, |
K/I, C |
- Discuss the term stereotype |
|
2.2
Violence |
MT2.02,
MT1.02, MT1.04, MA1.02, MP1.02 |
K/U, T/I, C |
-
Discuss violent vs. peaceful resolution in media |
|
2.3 Public vs. Private Media |
MT2.05, MT1.05, MT1.06, MA1.03, MA2.01,
MP2.04 |
T/I |
- Examine articles on media ownership |
|
2.4 Campaign for this! |
MA2.03, MA2.04, MT1.05, MT2.03, MA1.03,
MA2.01, MP2.04 |
K/U, C |
- Identify current media campaigns |
|
2.5 Our
Choice! |
MTV.01,
MTV.02, MP1.04, MP2.02 |
T/I, C, A, K/U |
- Group
compiles TV ads or websites in the form of a portfolio to examine how an
issue is represented in a selected media form |
K/U =
Knowledge/Understanding C =
Communication
T/I = Thinking/Inquiry A = Application
Time: 20 hours
Unit
Description
Using a
focus on human rights, and issues related to women and children, students gain
an understanding of the power of media in our lives. Through example and discussion
students are introduced to alternative media forms and the different ways media
can present the same issue. These examples and discussions enable students to
demonstrate their understanding of media forms, production, target audience,
influence and purpose.
Strand(s)
& Learning Expectations
Strand(s): Media Texts, Media Audiences and Media Production
Overall
Expectations: MTV.01, MTV.02, MAV.02, MPV.01.
Unit
Overview Chart
|
Cluster |
Expectations |
Assessment |
Focus and Suggested Activities |
|
3.1 We
have rights? |
MT1.03,
MT1.04, MT1.05, MT1.06, MT2.05, MT1.01, MTV.01, MTV.02 |
K/U, T/I, C, A |
-
Develop understanding of term ‘rights’ through brainstorming and
think/pair/share |
|
3.2
Know Your Rights! |
MT1.06,
MT2.01, MT2.02, MT2.03 |
K/U, C, T/I, A |
-
Present selected music dealing with human rights to the whole class |
|
3.3 Balance Power |
MT1.06, MA2.04 |
K/U, A, C, |
- Present an issue relating to women’s rights
to whole class - What is the effect? |
|
3.4
Save our children |
MT2.02,
MT2.01, MT2.03, MT2.04 |
T/I, A, C, |
-
Examine print articles or news clips dealing with the marginalization of
children |
|
3.5 The
right to know! |
MT1.01,
MTV.01, MAV.01, MA1.02 |
K/U, A, |
-
Examine current issues pertaining to human rights in a round robin format. |
|
3.6
Right Now! |
MP1.02,
MP1.03, MP1.04, MP1.01, MP2.03 |
K/I, C, A, T/I |
-
Context: Students have been asked by Amnesty International to prepare a media
form to address an issue relating to human rights |
K/U =
Knowledge/Understanding C =
Communication
T/I = Thinking/Inquiry A = Application
Time: 23 hours
Unit
Description
In this unit students gain an
understanding of the connections between the media and the consumer. Students
examine the relationship between media and consumer behaviour, codes of
advertising, techniques used and relevant audience. Students deconstruct
advertisements, commercials and public service announcements to reveal their
explicit and implicit messages. The culminating activity involves an oral
presentation and the creation of a media product focused on selling.
Strand(s)
& Learning Expectations
Strand(s): Media Texts, Media Audiences, Media Production
Overall
Expectations: MTV.01, MTV.02, MAV.01, MAV.02,
MPV.01, MPV.02.
Unit
Overview Chart
|
Cluster |
Expectations |
Assessment |
Focus and
Suggested Activities |
|
4.1 I’m a what? CONSUMER? |
MT1.04, MT1.01, MTV.01, MA1.02, MT2.01,
MT1.03, MT2.04, MA2.02, MP1.02, MP1.03, MP2.03, MT2.02, MP1.02 |
K/U, T/I, A |
- Diagnostic think/pair/share task in which
students respond to questions about consumers and consumerism, what makes
people buy, explicit and implicit meaning |
|
4.2 The
Laws of ads |
MT2.02,
MP2.02, MPV.01 |
T/I, C, A |
-
Discuss the Code of Advertising Standards and the Conventions of Print Ads |
|
4.3
Beauty in the 21st Century |
MTV.02,
MT2.02, MT2.05 |
T/I, K/U |
-
Discuss teen idols’ best and worst features |
|
4.4 A
parody of life! |
MTV.01,
MTV.02 MPV.01, MP1.01, MP1.02, MP1.03 |
K/U, T/I, A, C |
-
Produce comparison between Public service announcement and common TV
advertisements |
|
4.5 Buy
this! |
MP1.02,
MP1.01, MPV.01 |
K/U, T/I, A, C |
- Pairs
select a product (running shoes, cereal, watch) to advertise in one media
form, whether TV, radio, web or print and submit with guided response
addressing codes, audience, explicit, implicit meaning |
K/U = Knowledge/Understanding C = Communication
T/I =
Thinking/Inquiry A
= Application
Time: 22 hours
Unit
Description
This
culminating unit draws together the skills of research, analysis, selection of
appropriate media, creation of media and various writing forms from each of the
preceding units and provides an opportunity for the students to demonstrate
their personal understanding of a media issue. The final product can take the
form of a multimedia campaign about one issue that was either covered in the
course or which they identify as being of strong interest to them. Students can
choose an audience for their campaign and they must use a variety of media
forms in their campaign. The assessment of this unit should form a substantial
portion of the final evaluation for the course.
Strand(s)
& Learning Expectations
Strand(s): Media Texts, Media Audiences, Media Production
Overall
Expectations: MTV.01,
MTV.02, MPV.01, MAV.01.
Context:
For education week
at your school, you have decided to run a public awareness campaign about an
issue that you feel strongly about in the media. You must design and run a
multimedia campaign to raise awareness in your school.
Unit
Overview Chart
|
Cluster |
Expectations |
Assessment |
Focus and Suggested Activities |
|
5.1
Listen up! |
MT1.01,
MTV.01, MAV.01, MAI.02 |
K/U, A, T/I, C |
-
Choice of issue (e.g., women as portrayed in media, children and poverty,
violence in video games or film, sex in TV and advertising) |
|
5.2
Just the facts! |
MP2.01,
MT2.01, MT2.03 |
T/I, K/U |
-
Investigate facts pertaining to issue |
|
5.3
Analyse this |
MT1.02,
MT1.03, MT1.04, MT2.01, MT2.02, MT2.03, MT2.05 |
T/I, K/U, C, A |
-
Select appropriate media examples related to student’s issue |
|
5.4
Give me the scoop |
MA1.01,
MAV.01, MAV.02 |
T/I, K/U, C, A |
-
Create a five-question survey to be administered with accompanying media
example to peers from Activity 5.3 |
|
5.5 Plan of attack |
MP2.03, MPV.02 |
C, A |
- Complete detailed project update including
resources, time lines, production needs, success and problems to date |
|
5.6 I’m
Creating! |
MP1.05,
MP1.04, MP1.02, MP1.01, MPV.01 |
T/I, K/U, C, A |
-
Produce multimedia campaign |
|
5.7
Check this out! |
MTV.01,
MPV.01, MPV.02, MP1.01, MP1.02, MP1.03, MP1.04 MP1.05 |
T/I, K/U, C, A |
-
Present campaign to target audience |
|
5.8
Think about it! |
MTI.04,
MTV.02, MTV.01, MT1.03, MT1.02, MA1.01, MA1.03 |
T/I, K/U, C, A |
-
Analyse student’s own campaign to be |
K/U =
Knowledge/Understanding C =
Communication
T/I =
Thinking/Inquiry A
= Application
The
teaching strategies used in this profile are designed to give students
opportunities to be actively engaged in their own learning and to relate the
skills they develop to their life beyond the classroom, both present and
future. This course is intended to build on students’ own interests and prior
knowledge, to make them active, inquiring consumers. It is critical that the
teacher provide a wide variety of rich activities that encompass many media and
are accessible to students with diverse backgrounds and learning styles. The
teacher is encouraged to facilitate learning by having students involved in a
variety of whole class, small group, and individual activities.
The
teacher can use whole class activities to introduce concepts and skills, as
well as to consolidate the learning that occurs during small group and individual
activities. These activities include: class discussion, brainstorming, teacher
demonstration (research skills), cooperative learning, video presentations,
technological aids, Socratic lessons, guest speakers, diagnostic review
activities, and audio presentations.
The
teacher provides opportunities for small group learning to facilitate active
and oral learning. It is the responsibility of the teacher to monitor group
progress and to assist by answering, and posing questions that develop
students’ understanding. The group activities include: paired or small group
research activities, paired or small group computer investigations, comparison
and assessment of presentations, practical extension and application of
knowledge, small group discussion, brainstorming, oral presentations, and
research.
The
teacher provides individual assignments that enable students to consolidate and
extend the learning that takes place in whole class and small group activities:
Unit 1 culminating activity – deconstruction project; analysis and reflection;
research; written assignments (reports, critiques, supported opinion writing,
logs); ongoing project work; technological creations (webpages, video essays);
oral presentations; practical extension and application of knowledge; self
reflection; and assessment.
There is a culminating activity in each unit of
the course that engages students in the creation of media to strengthen their
understanding of its various forms and functions. The culminating activity for
the whole course is a multimedia presentation. This allows students the
opportunity to utilize their knowledge of media forms and express themselves
individually through their chosen mediums.
Strategies
that are used within the whole class, small group, and individual activities
incorporate a variety of approaches to develop media literacy skills:
·
Using
written material with immediate and lasting value and relevance to students
·
Reading
analytically and critically for information
·
Understanding
and using appropriate language with respect to type of media and audience
·
Using
diagrams, charts, graphic organizers for communication
·
Using
newspapers, radio, television, film, Internet, to locate current information
and issues
·
Relating
information to their personal situations and interests
·
Having
students understand key concepts of multimedia and apply these to enhance
presentations
Units
in this profile make reference to the use of specific texts, magazines, films
and videos in Teaching/Learning Strategies. Before reproducing materials for
student use from books and magazines, teachers need to ensure that their board
has a Cancopy licence and that resources they wish to use are covered by this
licence. Before screening videos for their students, teachers need to ensure
that their Board/school has obtained the appropriate public performance
videocassette licence from an authorized distributor (e.g., Audio Cine Films
Inc.) Teachers are also reminded that much of the material on the Internet is protected
by copyright. That copyright is usually owned by the person or organization
that created the work. Reproduction of any work or a substantial part of any
work on the Internet is not allowed without the permission of the owner.
Assessment
is a systematic process of collecting information or evidence about student
learning; evaluation is the judgement teachers make about the assessments of
student learning based on established criteria. The teacher is responsible for
developing a plan for how assessment and evaluation will be carried out during
the course. The following should be taken into consideration as the teacher
develops such a plan.
Since
students bring a wide range of skills and experiences to this course,
opportunities to determine students’ needs and strengths are important. Some
form of prior learning assessment can be built into new topics. An initial
diagnostic assessment is necessary in this course to determine the students’
knowledge about media. These diagnostic assessments, however, can be done
informally through teacher observation and questioning.
·
The
learning expectations from the policy document, The Ontario Curriculum,
Grades 11 and 12: English, 2000, are central to all aspects of this Course
Profile. The learning contexts, content, and assessment are interconnected and
linked to the expectations. Emphasis is placed on assessment tasks that:
· are linked to the learning tasks;
· are developed from clusters of expectations;
· provide opportunities for demonstration of achievement at all levels and in all categories of the Achievement Chart.
·
The
Achievement Chart for English is the basis for reporting on student progress,
as outlined in The Ontario Curriculum Grades 9-12: Program Planning and Assessment,
2000. The assessment data accumulated throughout the course must be
sufficient (in variety and frequency) to permit teachers to evaluate the
consistent level of performance for each student in each of the categories in
the Achievement Chart for English in The Ontario Curriculum, Grades 11 and
12: English 2000.
·
Consistent
with the Program Planning and Assessment, the activities in this profile
present assessment and evaluation strategies which:
· Are varied in nature, providing the students with opportunities and choices to demonstrate their achievement of the expectations based on their strengths, recognizing that the achievement of the same expectation could be expressed in different ways by different students;
· Are connected to the learning activities by making assessment an ongoing part of the learning process and increasing the opportunities for students to demonstrate success;
· Accommodate needs of all students through providing opportunities for written, oral and video-taped activities and including student choice and alternatives as appropriate;
· Provide opportunities for self and peer assessment, with the use of checklists and rubrics that students can use prior to summative evaluation by the teacher;
· Are clearly articulated for students by making students aware, in advance, of the process by which they will be assessed and evaluated, promoting student success in achievement of expectations;
· Provide opportunities for practise and formative feedback from the teacher, with an emphasis on the teacher choosing which assessments will be used formatively and which will be used for summative purposes;
·
Are
linked to the Achievement Chart as indicated in the summary chart for each
activity;
·
Enable
the teacher to make professional judgements as to the choice of assessment data
for use in evaluation of student achievement of the expectations.
The
assessment tasks provide a range of written, oral and performance activities
including:
|
·
Journals |
·
Surveys |
|
·
Multimedia presentations |
·
Written answers |
|
·
Oral reports and editorials |
·
Quiz |
|
·
Poster or visual representation |
·
Test |
|
·
Essay responses |
·
Point form summary |
|
·
Research papers |
·
Worksheet |
|
·
Debates |
·
Radio dramas |
|
·
Collage |
·
Charts |
|
·
Video essays |
·
Sales presentations |
|
·
Panel discussions |
·
Creating advertisements |
|
·
Written proposals |
|
These assessment tasks are
integrated with the learning strategies for each activity. It is up to the
teacher to decide whether and how to use the task as part of the assessment and
evaluation plan for the course. It is not necessary, nor necessarily feasible,
to have each of these done as an assessment task. However, if used as an
assessment task, the activity summary chart provides a suggestion for an
appropriate tool to use. It is also important for the teacher to encourage each
student to experiment with a variety of media forms and to log the forms that
the student uses. This could also be used as an assessment tool for a
portfolio. The teacher should use a variety of formative assessment tools
throughout the activities and use summative tools when evaluating the
culminating activities.
The assessment tools include:
|
·
Anecdotal |
·
Marking Scheme |
|
·
Checklist |
·
Rubric |
|
·
Rating Scale |
|
The
Course Profile has a final culminating task unit, which ties the entire course
together. A culminating activity is a summative evaluation, which provides an
opportunity for students to perform, create, or demonstrate some significant
skills and knowledge. Culminating activities have a real world context, involve
higher-level knowledge and skills than could be achieved through an isolated
application and clear criteria and levels for judging the quality of
performance. Task-specific rubrics are the most effective way to assess
culminating activities.
Teachers
using this Course Profile are required to accommodate the unique learning
styles of individual students by using the exceptional student’s Individual
Education Plan (IEP). The following is a list of possible accommodations for
the students:
·
special
consideration for concerns about addressing an audience; choice of audience and
audience size;
·
pairing
with another student;
·
providing
supplementary texts to accommodate different reading levels;
·
providing
alternative activities that suit strengths in learning styles;
·
providing
audio/Braille version of print resources;
·
allowing
for extra time and alternative location(s) for successful completion of tasks;
·
ensuring
a clear set of classroom rules, regulations, and expectations are established
and reinforced through the semester;
·
monitoring
of students’ understanding of texts and/or instructions
·
using
Educational Assistants, when available;
·
providing
access to a computer;
·
accommodating
for students whose first language is not English;
Note
Concerning Permissions
Units in
this profile make reference to the use of specific texts, magazines, films, and
videos. Before reproducing materials for student use from books and magazines,
teachers need to ensure that their board has a Cancopy licence and that
resources they wish to use are covered by this licence. Before screening videos
for their students, teachers need to ensure that their board/school has
obtained the appropriate public performance videocassette licence from an
authorized distributor (e.g., Audio Cine Films Inc.). Teachers are also
reminded that much of the material on the Internet is protected by copyright.
That copyright is usually owned by the person or organization that created the
work. Reproduction of any work or a substantial part of any work on the
Internet is not allowed without the permission of the owner.
Specific
resources are also listed in the unit.
Adams,
Bell & Griffin. Teaching for Diversity and Social Justice: A Sourcebook.
Routledge, 1997.
ISBN 0415910579
Anderson,
D. Teaching and Learning Styles: 4MAT: A Unit of Study of Advanced Level
English. Toronto: OSSTF.
Anderson,
Neil. Media Works. Toronto: Oxford University Press, 1989. ISBN
0-19-540730-X
Crane, Mary, Barbara Fullerton, and Amanda
Joseph. SightLines 10. Canada: Prentice Hall, Toronto, 2000. ISBN
0-13-082171-3
Dawe, Robert, Barry Duncan, and Wendy Mathieu. ResourceLines
9/10. Scarborough, Ontario: Prentice Hall Ginn Canada, 1999. ISBN
0-13-012922-4
Duncan,
Barry, Janine D’Ippolito, Cam Macpherson, and Carolyn Wilson. Mass Media and
Popular Culture. Harcourt Brace and Company Canada, 1998. ISBN
0-7747-0170-6
Jones,
Gerald. Honey I’m Home. St. Martin’s Press. 1993. ISBN 0312088108
Kawartha
Pine Ridge DSB, A Resource for Assessment, Evaluation and Reporting 1999
(distributed as part of the Phase III SIT binder in September 1999)
Klein,
Naomi. No Logo. Harper Collins. Vintage Canada, 2000. ISBN 0676972829
Kowinsky,
William. The Malling of America. Galde Press, 1988. ISBN 1880090589
Lasn,
Kalle. Culture Jam. Harper Collins, 1999. ISBN 0-0688-17805-7
Ministry
of Education. The Ontario Curriculum, Grades 9 and 10: English. Toronto,
Ontario, Canada: Queen’s Printer for Ontario, 1999. ISBN 0-7778-8336-8
Mitchell,
Scott and Darren Wershler-Henry. Internet Directory 2000: A Canadian
Guide. Scarborough, Ontario, Canada: Prentice-Hall Canada Inc., 1999. ISBN
0-13-016419-4
Moore,
Michael. Downsize This. Crown, 1996. ISBN 0-06-097733-7
Oxford
English Dictionary.
Postman,
Neil. Amusing Ourselves to Death. Penguin Books of Canada, 1986. ISBN
0140094385
Pungente,
John. More Than Meets the Eye. McClelland & Stewart Inc, 1999. ISBN
0771071000
Note: The URLs for the websites have been
verified by the writer prior to publication. Given the frequency with which
these designations change, teachers should always verify the websites prior to
assigning them for student use.
The
Media Awareness Network (MNet) - www.reseau-medias.ca
The
Jesuit Communication Project - www.interact.uoregon.edu
Adbusters
Magazine - www.adbusters.org
Canadian
Advertising Standards - www.canad.com
About
Face - http://www.about-face.org/gallery/newten/two.html
Ask
Me - www.askme.com
http:://gomrshowbiz.com
www.TVratings.com
http://interact.uoregon.edu/MediaLit/
Articles
http://www.ravenwerks.com/leadership/tribal.htm
http://www.time.comt/time/magazine/articles/0,3266,23521,00.html
http://www.time.comt/time/magazine/articles/0,3266,23521-2,00.html
http://www.newswise.com/articles/1999/4/TEEN.UDE.html
http://washingtonpost.com/wp-srv/national/daily/april99/nihilism23.htm
Anderson,
Neil and John Pungente. Scanning TV: Videos for media literacy in class.
Harcourt, Brace, 1997. (Teacher guide available). “Local Heroes.”
TV
Nation. Video Series (Volumes one 1994 and two 1995) directed by Michael Moore.
The Awful
Truth. Video series (Volumes one 1999 and two 2000) directed by Michael Moore.
Sen,
Mittra. Just a Little Red Dot (film). 36 minutes. International Telefilm
(905)629-3133
Gunnarson,
Sterla. Such A Long Journey (film). Columbia Tristar, 1998. 113 min.
043396048690
Hughes,
John. Ferris Bueller’s Day Off (film). Paramount Picture, 1986. 98 min.
097360189032
Deutch,
Howard. Pretty in Pink (film). Paramount Picture, 1986. 96 min.
097360185836
Frears,
Stephen. High Fidelity (film). Touchstone Pictures, 2000. 113 min
786936147612
Moyle,
Allan. Pump Up the Volume (film). New Line Cinema, 1990. 105 min
794043409738
Lehmann,
Michael. Heathers (film). Cinemarque, 1989 102 min 092091910139
Sletzer,
David. Lucas (film). 20th Century Fox Home Entertainment, 1986.
086162149535
Undercurrents.
CBC series
Flare,
Chatelaine, Canadian Geographic, New Horizons, The New Internationalist, Ms.
The
Globe and Mail, The Toronto Star, The National Post and any local newspapers
By
focusing one activity of every unit on examining media careers, this course
provides opportunities for connections with activities related to the Choices
Into Action document. The use of a variety of technological applications is
also highlighted throughout, and encouraged where available. Opportunities for
violence prevention education are provided in many activities because of the
nature of the issues being addressed.
Coded Expectations, Media Studies, Grade 11, Open, EMS3O
MTV.01 · analyse, interpret, and assess the
techniques, forms, style, and language of media works to describe and explain
how different media communicate meaning;
MTV.02 · analyse media representations to describe
their content, identify bias, and explain their impact on audiences.
Analysing
Media Forms, Techniques, Style, and Language
MT1.01 - identify the characteristics of a variety of
media, including television, newspapers, and the Internet, and explain how
these characteristics influence meaning (e.g., in an oral presentation examine
how a newspaper, a radio station, a television network, and a news website
cover the same event, and explain how the differences affect interpretations of
the event);
MT1.02 - identify and explain how media conventions
and techniques influence the creation and interpretation of media works (e.g.,
describe how audience expectations about a western or a horror film are shaped
by the use of a familiar formula; compare the production costs for a
thirty-second TV commercial and a thirty-minute TV show and assess the
implications of the findings; report on the controversy about the use of
computer retouching in fashion photography and photo-journalism);
MT1.03 - analyse how the language used in media works
influences the interpretation of messages, with a focus on tone, level of language,
and point of view (e.g., analyse the language used in a sports broadcast and
explain its purpose and effect; describe the narrative language used in an
animated media work and state what themes and beliefs are being communicated);
MT1.04 - explain how aesthetic qualities in media
works contribute to audience enjoyment and understanding (e.g., assess the
effectiveness of colour in advertisements for particular purposes and
audiences; identify and explain the emotional response evoked by background music
in a range of films);
MT1.05 - explain how a media form changes when
presented in a new communication context and assess the effect of the changes
(e.g., describe the changes that occur when newspapers are presented on the
Internet);
MT1.06 - explain the ways in which media influence
and shape various environments and activities (e.g., describe how the
televising of hockey or baseball games influences the appearance of the arena
or stadium and the pace of the game).
Analysing
Media Representations
MT2.01 - analyse how individuals or groups are
presented in media works and assess the accuracy and influence of these
representations (e.g., create a collage of familiar stereotypes in the media
and explain the overall impact of these images; compare media representations
of work, vacation experiences, or family life with their own experiences);
MT2.02 - examine how people or groups are represented
in a variety of media works and explain the beliefs and biases revealed and the
messages conveyed (e.g., discuss how the message of a popular television
program would change if the main characters were from a different
socio-economic or ethnic group; explain the effects of the inclusion,
exclusion, or positioning of people or groups in magazine advertisements);
MT2.03 -
analyse media representations of social, political, and cultural issues and
explain how the representations influence people’s interpretation of the issues
and their level of concern (e.g., analyse media coverage of the international
response to a war or uprising; assess the effectiveness of public-service
announcements in the media);
MT2.04 - analyse and explain the representations of
behaviours and attitudes in media works (e.g., analyse the news coverage given
to the achievements of a local hero; describe and explain the attitudes
depicted during a conflict and its resolution in a feature film or television
drama);
MT2.05 - compare and analyse the representations of
people and issues in a variety of media and identify factors that may account
for any differences (e.g., compare the coverage of social issues and current
events in mainstream media with that in alternative periodicals, video
documentaries, or on some specialty cable-TV channels; prepare an oral
presentation about how the ownership and funding of a variety of media may
influence their presentation of events).
MAV.01 · demonstrate an understanding of the ways in
which media businesses, sponsors, and advertisers target and attract audiences,
and of how audiences use and respond to media works;
MAV.02 · analyse and draw conclusions about the
influences of media and communication technology on society, culture, and the
economy.
Analysing
Audience Characteristics and Responses
MA1.01 - compare their own and others’ responses to a
variety of media works and explain how the characteristics of audiences
influence how the audiences interpret and enjoy particular works (e.g., observe
over time, record, and explain their own and others’ media use and
preferences);
MA1.02 - explain how and why media businesses,
sponsors, and advertisers identify and target audiences based on social and
economic factors (e.g., discuss examples of products or TV programs that are
targeted to different demographic groups; explain why certain commercials are
aired during teen prime-time dramas; investigate and explain the rationale
behind product placement in current feature films and television programs);
MA1.03 - explain how and why people use
media and communication technologies (e.g., analyse information about people’s
media use from interviews, surveys, or studies of consumer demographics; report
on how media are used to promote education or community participation).
Analysing
the Impact of Media on Society
MA2.01 - analyse the social, economic, and cultural
contributions made by Canadian media industries (e.g., chart the growth of the
film industry in Canada; research the Canadian animation industry and report on
its economic and cultural impact);
MA2.02 - analyse the impact of media and
communication technologies on interpersonal communications, commerce,
education, family life, and work (e.g., research information for a report on
the impact on people’s lives of e-mail or cell phones);
MA2.03 - assess the impact of media and
communication technology on the relationships among countries, cultures, and
economies around the world (e.g., research the role of media and communication
technologies in spreading the influence of North American popular culture
around the world);
MA2.04 - assess the impact on society of the fact
that most media are funded by revenue from advertising, admission fees, and
public contributions (e.g., debate the advantages and disadvantages of the
commercial and public sponsorship of arts and athletic events).
MPV.01 · demonstrate an understanding of the
interrelationship of form, content, and audience by creating media works for
different audiences and purposes;
MPV.02 · describe production roles and
responsibilities in a variety of media industries and identify key conditions
that affect the production, financing, and distribution of media works.
Creating
Media Works
MP1.01 - select and use the conventions of a
particular genre and appropriate techniques to produce media works (e.g.,
create suspense in a video by using low camera angles, eerie music, and dim
lighting; design a website that includes animated clip art and coloured text;
adapt a published short story for radio, selecting and using narrative
techniques appropriate to the medium);
MP1.02 - select and use the appropriate level of
language, tone, and point of view in creating media works for specific
audiences and purposes (e.g., videotape or audiotape a mock colour commentary
of a school sports event; create posters aimed at different groups to advertise
a community event);
MP1.03 - adapt messages for different media and for
different audiences and explain how the characteristics of media forms and
audiences influenced production decisions and shaped the content (e.g., adapt a
short story for a comic book or a website; write or produce a news story about
the same event for radio and for the school newspaper; explain the choices made
in creating a water-safety poster for adults and another for children);
MP1.04 - use appropriate production techniques to
create a media work about an important social or cultural issue for a
particular audience (e.g., create a website or print advertisement about drug
abuse aimed at a teen audience; create a collage that presents alternative
perspectives on a social issue);
MP1.05 - design a multimedia campaign to promote an
institution or product (e.g., plan a campaign that includes print advertising,
TV or radio commercials, a website, and clothing or other product tie-ins).
Examining
Production Contexts, Roles, and Responsibilities
MP2.01 - explain how copyright law and guidelines for
protecting intellectual property rights affect Canadian media industries and
audiences (e.g., report on the ethical and economic implications of copyright
and digital sampling in the music industry; list the guidelines that exist for
citing material from newspapers or magazines posted on the Internet; research
the guidelines for using an artist’s music in a film, video, or television
program);
MP2.02 - explain how industry codes, government
regulations, and commercial considerations affect the way in which media
businesses operate (e.g., investigate prime-time TV programming and suggest
reasons for positioning top-rated programs in the schedule; compare the effects
on media businesses of the regulations governing media ownership in Canada and
in the United States; analyse various advertisements in relation to the
Canadian Code of Advertising Standards);
MP2.03 - describe the various stages and
responsibilities in the production of a media work (e.g., for a film or
videotape, describe the concept or proposal stage, the development of the
storyboard, and the responsibilities involved in the filming or videotaping
process; use the website of a film studio, or other sources, to research ways
in which a director interacts with writers, actors, and sound, camera, and
lighting crews during the production process);
MP2.04 - explore career opportunities in the media
and media-related businesses (e.g., write a report on the career opportunities
for an editor, producer, cinematographer, carpenter, film lab technician,
entertainment lawyer, actor, accountant, caterer, website designer, reporter,
or photographer; visit a local media business such as a television studio or
advertisement agency, or invite a speaker into the classroom, to learn about
media production, careers, issues, or events).
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