Course Profile
English, Grade 11, University Preparation, Catholic
Unit 4: History of the English Language
Time: 18 hours (14
hours and 4 hours for skills development)
Activity 1 | Activity 2
| Activity 3 | Activity 4
| Activity 5 | Activity 6
This unit
examines the evolution of the printed word from classical texts to electronic
publications. The teacher presents an overview of literary history with a
special emphasis on poetry. The focus on genre includes a survey of literary
archetypes. The teacher ensures use of inclusive and representative materials.
Students develop a sense of the forces that have shaped our language and
influenced current standards of common usage.
Students:
·
interpret
texts using various strategies, such as double-entry journals and close
reading;
·
study
the development of the English language;
·
research
various genres and present their findings to the class;
·
explore
contemporary language theory and usage issues, involving intensive grammar
study and facilitating the proficient use of Standard Canadian English.
|
Activity |
Time |
Expectations |
Assessment |
Tasks |
|
1:
Periods in Literary History |
4 hours |
LSV.01,
LSV.03, LAV.01, LAV.02, LA1.01, LA2.01, LA2.02, LS3.03, LS1.02, LS1.05 CGE2e |
T/I C A |
Dramatic
reading Double-entry
journal Poetry
explication |
|
2:
Development of the English Language |
2 hours |
LSV.02,
LSV.03, LAV.01, LAV.02, LS2.02, LS3.02, LA1.01, LA1.02, LA1.04, LA2.01 CGE2e |
T/I A |
Note-taking Timeline |
|
3:
Development of Literary Genres |
3 hours |
LSV.03,
LSV.01, WRV.02, LAV.01, LS3.02, LS3.03, LS1.05, WR2.01, WR2.02, LA1.02 CGE2b |
K/U T/I C |
Handout Presentation |
|
4:
Etymology |
2 hours |
LAV.01,
LSV.03, LA1.03, LS3.02 CGE5a |
K/U A |
Personal
dictionary/thesaurus Summative
quiz |
|
5:
Archetypes |
3 hours |
MDV.02,
WRV.03, LSV.01, LS1.04, WR3.02, MD2.01 CGE7g |
K/U T/I C A |
Note-taking Multimedia
exhibition |
|
6:
21st-century English: Current Usage and Theory |
4 hours |
WRV.02,
WRV.05, LAV.01, MDV.01, WR2.04, WR5.04, LA1.05, MD1.01 CGE2e |
K/U T/I C A |
Analytic
response Grammar
exercises Summative
quiz |
Time: 240 minutes
Our study
of the English language begins with a chronological overview of traditionally
defined periods in literary history. This activity surveys literary history
from antiquity to the twenty-first century. The zeitgeist (i.e., the general
intellectual, moral, and cultural climate) of each period is recreated through
dramatic readings of assigned poems. Students’ understanding of individual
poems is deepened by formal analysis. Representative works, ranging from
classical texts to texts published on-line in literary e-zines, are analysed in
a series of poetry analyses.
Strand(s): Language, Literature Studies and Reading, Media
Studies, Writing
Ontario
Catholic School Graduate Expectations
CGE2e -
uses and integrates the Catholic faith tradition, in the critical analysis of
the arts, media, technology, and information systems to enhance the quality of
life.
Specific
Expectations
LA1.01 -
apply a variety of strategies to extend vocabulary while reading, with an
emphasis on understanding the denotation, connotation, and pronunciation of
words (e.g., discuss diction in a poem or novel to explore personal and
historical connotations; use knowledge of phonetics to pronounce words they are
not used to seeing in print);
LA2.01 -
communicate orally in large and small groups for a variety of purposes, with a
focus on listening for main ideas and significant supporting details;
clarifying and extending the ideas of others; using appropriate academic and
theoretical language; and evaluating implicit and explicit ideas using criteria
such as relevance, accuracy, and bias;
LA2.02 -
communicate orally in group discussions, applying such skills as the following:
fulfilling roles as required; preparing for discussion; contributing additional
and relevant information; asking questions to extend understanding; making
notes to track the discussion; completing assigned tasks for the group; working
towards consensus; and accepting group decisions when appropriate;
LS1.02 -
select and use specific and relevant evidence from a close reading of texts to
support interpretations, analyses, and arguments (e.g., analyse and describe
the organization of an argument in a literary essay; identify the target and
explain the criticism in a work of satire);
LS1.05 -
explain the influence of social and historical values and perspectives on texts
and the interpretation of texts (e.g., relate the social values in a period
such as the Industrial Revolution, the Second World War, or the 1960s to a literary
work from that period; compare a historical and a contemporary critique of a
literary work);
LS3.03 -
analyse the effect on the reader of authors’ choices of language, syntax, and
literary and rhetorical devices by examining their own and others’ interpretations
of the style of texts.
Students
use literary terms and recognize literary devices (e.g., alliteration,
assonance, consonance, personification, hyperbole, rhyme, stanza, etc.).
·
Provide
time for daily independent silent reading throughout this unit. Students may
use this time to read assigned poems or a novel of their own choosing.
·
Prepare
a lesson on the periods of literary history. Some topics to include are the
patronage system, the relationship between colonization and Elizabethan
literature, the Reformation, the translation of the Bible into English (i.e.,
the King James version), the effect of Britain’s class system on literacy, the
recognition of world literature, etc. This lesson explains the influence of
social and historical values on the creation and interpretation of texts (e.g.,
by relating the social values of the Industrial Revolution to Romantic
literature).
·
Prepare
a handout on literary terms (e.g., denotation, connotation, ambiguity, metre, allusion,
tone, irony, etc.).
·
Prepare
an example of a double-entry journal technique for students to use while
reading:
|
Column A |
Column B |
|
Record
unfamiliar words; textual evidence of theme(s), and literary devices. |
Define
unfamiliar words; analyse diction, theme and literary devices with specific
references to text. |
·
Prepare
a lesson on poetry analysis using the double-entry journal technique. This
lesson takes the class through a step-by-step analysis of reading a poem so
that they can use the technique to record their own reading experiences during
the unit.
·
Prepare
a model for poetry analysis (using student exemplars).
·
Provide
time for writing in class.
·
Prepare
clips of films that illustrate period drama.
·
Before
beginning the lesson on literary periods, assess students’ knowledge of
historical periods through an informal discussion. Points and questions to
consider:
· their impression of history as an academic subject: is it interesting or boring?
· why is the study of history generally important (possibly use Carl Sandburg’s poem “Grass” and the adage “those who don’t know history are doomed to repeat it” to focus the discussion)?
· why is history relevant to English class? Social commentaries offer provocative analyses of the contemporary lack of interest in history.
· the current interest in history.
· current films.
· post-modern uses, allusions, and remaking of historical texts and works of art.
·
Review
the reading strategies students have used to make sense of poems in the past.
Introduce new interpretive strategies using practical criticism (i.e., close
reading) and the double-entry journal technique. Review literary terms and
devices. Use poems that students are studying to illustrate the employment of
each literary device.
·
Read
poems aloud in class and develop detailed responses to assigned poems together
using the double-entry technique. (Students continue to use the double-entry
journal technique to develop reading/decoding strategies while reading
independently.)
·
Give
students opportunities to formulate and pose questions based on their
individual readings of the poems studied in class. Discuss questions together
in class. Use information about literary history and devices to come to terms
with various interpretations. Remind students of English scholars’ Golden Rule:
the best interpretation is the one most accurately supported by the details of
the text.
·
Students
move from informal to formal responses by preparing a series of detailed and
insightful poetry analyses based on a) initial responses recorded in journals
and b) oral discussions in class. Student explications demonstrate a growing
sensitivity to the effectiveness of authors’ choices of language, syntax, and
literary and rhetorical devices.
·
Illustrate
the concept of period drama by showing clips from a number of films.
·
Introduce
the dramatic reading assignment. Divide the class into groups and assign each
group a literary period and a representative poem. This assignment requires
further research into literary history by each group. Electronic and print
sources should be consulted. Encourage students to research the literary
history of their culture of origin or another culture. Based on their research,
each group prepares a dramatic reading of their poem. A variety of presentation
techniques may be used depending on their comfort level. Some groups may use a
Readers’ Theatre approach, while others may depict the presentation of a poem
to the poet’s patron. The use of period costumes is encouraged.
·
Draw
students’ attention to the social justice issues raised by activity content
through ongoing discussion:
· Use Gospel values to interpret the social, religious, and moral significance of literary history (e.g., colonization, patronage, sacred versus secular writings, the British class system, women writers, etc.).
· Examine the influence of power struggles between the new “Church of England” and the Roman Church by analysing the resulting imagery and iconography and its attendant effects on the corporate imagination.
· Relate content to students’ personal experience of the human condition by modelling a critical process that questions how literary value is determined (e.g., rock ‘n roll as poetry, etc.).
·
Encourage
a safe and open environment, as is a live expression of the Catholic faith
experience.
·
Encourage
a safe and open environment for the discussion of these issues and encourage
students to respect others’ opinions.
·
double-entry
journal (rubric) (Appendix 1)
·
For
written assignments such as the double-entry journal, students can be
accommodated with use of a computer.
·
A
written assignment may also require a scribe or dictation given by an
Educational Assistant.
Teacher
Resources
Abrams,
M.H. A Glossary of Literary Terms, 6th ed. New York: Harcourt Brace,
1993.
Aristotle.
Rhetoric and Poetics. New York:
Random House, 1954.
Bible:
The Holy Bible – New Revised Standard
Version. Nashville: Thomas Publishers, 1989.
Bloom,
Harold. The Western Canon. New York:
Harcourt Brace, 1994.
Eagleton,
Terry. Literary Theory: An Introduction.
Minneapolis: University of Minnesota Press, 1983.
Heath,
Jeffrey M., ed. Profiles In Canadian
Literature. 8 volumes. Dundern, 1980-1991.
Holman,
C. Hugh and William Harmon. A Handbook to
Literature, 6th ed. New
York: MacMillan, 1996.
Hooks,
Bell. Outlaw Culture: Resisting
Representations. New York: Routledge, 1994.
Ioannou,
Susan. A Magical Clockwork: The Art of
Writing the Poem. Toronto: Wordwrights Canada, 2000.
Lecker, Robert, ed. Canadian Canons: Essays In Literary Value. Toronto: University of
Toronto Press, 1991.
Lentricchia,
Frank and Thomas McLaughlin, eds. Critical
Terms for Literary Study.
MacPherson,
Jay. Four Ages of
Mariani,
Philomena, ed. Critical Fictions: The
Politics of Imaginative Writing.
New,
W.H., ed. A History of Canadian
Literature.
Preminger,
Alex and T.V.F. Brogan, eds. The New
Zimmerman,
J.E. Dictionary of Classical Mythology.
Student
Resources and Anthologies
Allison,
Alexander W., et al. The Norton Anthology
of Poetry, 3rd ed.
Atwood,
Margaret, ed. The New
Bible:
The Holy Bible – New Revised Standard
Version.
Creighton,
David. Myths Within.
Knox,
Bernard, ed. The Norton Book of Classical
Literature.
Rogers,
Katharine and William McCarthy, eds. The
Electronic
Resources
All-Purpose
Handbooks – http://www.utoronto.ca/writing/books2.html
Books
on the Process of Reading & Writing –
http://www.utoronto.ca./writing/books1.html
The
Norton Introduction to Literature Web Companion –
http://www.wwnorton.com/introlit
Appendix
1 – Double-Entry Journal Rubric
Time: 120 minutes
The
English language is examined from its historical roots to its contemporary use
in global settings. Major influences in the development of the English language
are considered. The purpose of this activity is to convey the idea that English
is a living entity, one that grows and changes over time according to the
progress and needs of humanity. The way language represents human values will
be examined through the etymological analysis of individual words. The social
and historical perspectives that have influenced the creation and reception of
literary texts are also considered in a formal analytic response paper.
CGE2b - reads, understands, and uses written
materials effectively;
CGE7g - respects and understands the history,
cultural heritage and pluralism of today’s contemporary society.
Specific
Expectations
LS2.02 -
analyse how elements of literary forms other than novels and poetry are used to
enhance meaning (extensive study) (e.g., compare a parody with the original
text to understand the author’s purpose; explain how the conflict and
characterization in a short story enhance its social commentary);
LS3.02 -
describe how authors use rhetorical and literary devices, such as pun,
caricature, cliché, hyperbole, antithesis, paradox, wit, sarcasm, and
invective, to enhance the meaning of texts (e.g., explain how paradox is used
to deepen meaning in poetry; assess the effectiveness of rhetorical devices
used to emphasize the social criticism in a satirical essay);
LA1.01 -
apply a variety of strategies to extend vocabulary while reading, with an
emphasis on understanding the denotation, connotation, and pronunciation of
words (e.g., discuss diction in a poem or novel to explore personal and
historical connotations; use knowledge of phonetics to pronounce words they are
not used to seeing in print);
LA1.04 -
identify specialized and technical language appropriate to academic discussion
and use it with precision in oral and written work;
LA2.01 -
communicate orally in large and small groups for a variety of purposes, with a
focus on listening for main ideas and significant supporting details;
clarifying and extending the ideas of others; using appropriate academic and
theoretical language; and evaluating implicit and explicit ideas using criteria
such as relevance, accuracy, and bias.
Students
possess a rudimentary knowledge of the history of Western civilization.
·
Prepare
a lecture on the history of the English language with attention to
cross-curricular links (e.g., outline how political, economic, and cultural
forces have affected the historical development of the English language by
considering Angles, Saxons, and Jutes; Vikings; Romans; the Norman Conquest of
England; the invention of the printing press; colonialism; mass literacy;
computer technology, the influence of other languages; the global use of
English, the power of the Bible to influence language [i.e., new translations],
the lingering effect of Latin as the language of the Bible).
·
Plan
a lesson on effective note-taking. Create a sample note using the Cornell
format for a page (i.e., two wide columns, the left one is for summative
headings; a space at the bottom of the page is for students’ reflective and
synthesizing annotations). See Resources for guidance on such methods.
·
Prepare
a sample timeline, perhaps using the timeline found on the Encarta Encyclopaedia CD-ROM as a model.
·
Before
delivering the lecture on the history of the English language, explain that
lectures are an important teaching method in university. Briefly discuss
learning styles and strategies for successful note taking. Show students a
sample of effective note-taking and distribute a copy of a teacher-made note
taking checklist.
·
Deliver
the lecture on the development of the English language. Model effective
note-taking throughout the first half of the lecture by jotting down important
points on the board or overhead as they are presented. Ask students to take
notes during the second half of the lecture. Review the points they included in
their notes and discuss how to determine the significant points that must be
recorded. Ask students to relate these lecture notes to the readings they have
done on the same topics, to demonstrate how different sources give different
shapes to information and to show how orally-transmitted ideas can be confirmed
and deepened by further reading. Note: it is important for students to
expect to take in ideas from different types of sources and to synthesize them
for themselves. Comparing sources is also part of critical thinking. Students
use the self/peer note-taking checklist to evaluate the success of the task.
·
Examine
the cross-curricular issues raised by content covered in lecture through a
variety of discussion methods, such as think/pair/share, jigsaw, expert groups,
etc. Topics for discussion might include: Angles, Saxons, and Jutes; Vikings;
Romans; the Norman Conquest of England; the invention of the printing press;
colonialism; the Reformation; mass literacy; computer technology, the influence
of other languages; the global use of English, dialects in history, the
existence of dialects within present-day Canadian society (e.g., regional music
can be used to illustrate this idea), etc.
·
Relate
issues to students’ personal observation of the human condition by examining
the limits of their working vocabulary, their response to unfamiliar words, and
the social implications of diction (how does the way you talk affect the way
people perceive you).
·
As
a class, create a timeline that outlines major events in the historical
development of the English language. This task reinforces the discernment of
key details introduced in relation to note-taking earlier in the activity. (Encarta
Encyclopaedia has an excellent sample timeline.) A variety of historical
resources may be drawn on to supplement the information presented in the
lesson. A multimedia approach [incorporating text, images, and sound, if
possible] captures the idea of history as a living, ever-changing entity. The
timeline might be hung up on one or two walls and referred to throughout the
course.
·
Encourage
a safe and open environment for discussion and encourage students to respect
others’ opinions.
·
note-taking
(checklist)
·
timeline
(observation)
·
For
an activity such as note-taking (modelling a requirement for university
students), students may have copies of the notes provided for them from the
lecture.
·
For
students with hearing problems, an FM system may be provided.
·
A
written assignment may require a scribe.
·
For
an activity such as a timeline, a template may be provided to students as an
exemplar.
Bambas,
Rudolph C. The English Language: Its
Origin and History. University of Oklahoma Press, 1980.
Barzun,
Jacques. A Word or Two Before You Go.
Wesleyan Press, 1986.
Baugh,
Albert C. and Thomas Cable. A History of
the English Language, 4th ed.
New York: Prentice Hall, 1993.
Bryson,
Bill. Made In America: An Informal
History of the English Language in the United States. Avon, 1996.
Bryson, Bill. The Mother Tongue: English and How It Got That Way. Avon, 1996.
Crystal,
David. English as a Global Language.
Cambridge: Cambridge UP, 1998.
Hogg,
Richard M., ed. The Cambridge History of
the English Language. 6 volumes. Cambridge UP, 1992-1999.
Kacirk,
Jeffrey. Forgotten English. Morrow,
1997.
McCrum,
Robert, et al. The Story of English,
revised edition. New York: Penguin, 1993.
Partridge,
Eric. Dictionary of Slang and Unconventional
English, 8th ed. New York:
Macmillan, 1985.
Pauk,
Walter. How to Study in College.
Preminger,
Alex and T.V.F. Brogan, eds. The New
Princeton Encyclopaedia of Poetry and Poetics. New Jersey: Princeton UP,
1993.
Pyles,
Thomas and John Algeo. Origins and
Developments of the English Language, 4th ed. New York: Harcourt Brace
Jovanovich, 1993.
Electronic
Resources
History
of the English Language – http://www.library.utoronto.ca/utel.diaclang.html
History
of the English Language Links –
http://www.chass.utoronto.ca/~cpercy/helhome.htm
Encarta
Encyclopaedia On-line – www.encarta.msn.com
World
Book On-line – www.worldbookonline.com
The
Electric Library – www.elibrary.ca/education
The
Bartleby Project – www.columbia.edu/acis/bartleby/
The
Voice of the Shuttle – www.vos.ucsb.edu/shuttle/english.html
University
of Guelph Learning Services – www.uoguelph.ca/csrc/learning/sq4r.htm
Time: 180 minutes
Students
apply knowledge gained from the study of literary history by making connections
between the issues/styles/values specific to each period and the development of
particular genres. Students conduct intensive research to complete this
activity. Topics for analysis may include: the relationships between the oral
tradition and poetry; serials and short stories; evolving class structure and
the novel; folk tradition and the urban legend; mythology and the Hollywood
epic; ballads and popular music. Students prepare and present a handout on
their findings in class.
Strand(s): Language, Literature Studies and Reading, Media
Studies, Writing
Ontario
Catholic School Graduate Expectations
CGE2b -
reads, understands, and uses written materials effectively.
Specific
Expectations
LS3.02
- describe how authors use rhetorical and literary devices, such as pun,
caricature, cliché, hyperbole, antithesis, paradox, wit, sarcasm, and
invective, to enhance the meaning of texts (e.g., explain how paradox is used
to deepen meaning in poetry; assess the effectiveness of rhetorical devices
used to emphasize the social criticism in a satirical essay);
LS3.03 -
analyse the effect on the reader of authors’ choices of language, syntax, and
literary and rhetorical devices by examining their own and others’
interpretations of the style of texts;
LS1.05 - explain the influence of social and
historical values and perspectives on texts and the interpretation of texts
(e.g., relate the social values in a period such as the Industrial Revolution,
the Second World War, or the 1960s to a literary work from that period; compare
a historical and a contemporary critique of a literary work);
WR2.01 -
demonstrate an understanding of the uses and conventions of various forms by
writing persuasive and literary essays, reviews, short narratives or poems, and
summaries (e.g., write a personal essay on a current issue; write an academic
essay analysing the themes or imagery of literature studied; write a film
review for the school newspaper);
WR2.02 -
select and use an appropriate form to produce written work for an intended
audience and purpose (e.g., write a poem about being Canadian for a reader in
another country; write a report for an academic audience on the historical
context of a literary work studied);
LA1.02 -
identify and describe the major influences in the development of the English
language (e.g., Angles, Saxons, and Jutes; Vikings; Romans; the Norman Conquest
of England; the invention of the printing press; colonialism; mass literacy;
computer technology; the influence of other languages; the global use of
English).
Students
are familiar with formal and structural elements of various genres including
poetry, short stories, novels, and film.
·
Review
assessment criteria with students before they begin the research task.
·
Prepare
a plan for group-work techniques, i.e. explanation of expert groups (one topic
per group, report back to class), including roles and responsibilities for
group members.
·
Provide
Library/Resource Centre and Internet resources as appropriate.
·
The
teacher explains expert group technique and assigns groups.
·
The
assignment requires each group to research, present, and create a handout on
their topic.
·
The
class develops a rubric for evaluating the group presentation handout.
·
Groups
use electronic and print sources to research the development of literary
genres, such as poetry, drama, novel, short story, cinema. The relationship
between the many literary styles found in ancient writings (e.g., the Bible)
and the development of specific genres is explained in terms of their profound
and continuing influence.
·
Groups
present findings in an oral presentation, including a class handout summarizing
their presentation.
·
The
dramatic representation initiated in Activity 1 can be continued (e.g.,
students may present the findings in period costumes, etc.).
·
handout/oral
presentation (rubrics)
·
A
written assignment may require a scribe.
·
For
written assignments such as a handout, students can use a computer.
·
A
peer editor may be provided for students as they create a handout for the
class.
·
Oral
presentations may require alternate assessment such as videotaping,
small-group, or teacher-only presentations.
Teacher
Resources
Abrams,
M.H. A Glossary of Literary Terms, 6th ed. New York: Harcourt Brace, 1993.
Brunk,
Terrence, et al. A Guide to Teaching with
Literacies: Reading, Writing, Interpretation. New York: W.W. Norton, 1997.
Holman,
C. Hugh and William Harmon. A Handbook to
Literature, 6th ed. New
York: MacMillan, 1996.
Jerome,
Judson. The Poet’s Handbook. Ohio:
Writer’s Digest Books, 1980.
Luengo,
Anthony. Canadian Writer’s Handbook.
Scarborough: Prentice Hall, 1995.
Preminger,
Alex and T.V.F. Brogan, eds. The New
Princeton Encyclopaedia of Poetry and Poetics. New Jersey: Princeton UP,
1993.
Student
Resources and Anthologies
Brown,
Stewart, ed. Caribbean New Wave:
Contemporary Short Stories. Oxford: Heinemann, 1990.
Brunk,
Terrence, et al. Literacies: Reading,
Writing, Interpretation. New York: W.W. Norton, 1997.
Mariani,
Philomena, ed. Critical Fictions: The
Politics of Imaginative Writing. Seattle: Bay Press, 1991.
Electronic
Resources
How
to Do Research on the Internet
http://www.lib.berkeley.edu/TeachingLib/Guides/Internet/FindInfo.html
Information
and Discussion on Anglo-Saxon and the Range of World English
http://www.library.utoronto.ca/utel/diaclang.html
http://www.chass.utoronto.ca/~cpercy/helhome.htm
Time: 120 minutes
This
activity focuses students’ attention on the derivative nature of the English
language by analysing its Latin and Greek roots. Students develop vocabulary by
building and decoding strategies through the course of the activity. Tasks
include: tracing original connotations of words; tracing changed meaning in
relation to evolving social values; and use, misuse, and omission of words.
Students relate content to their own lives through an examination of street
slang.
Strand(s): Language, Literature Studies and Reading, Media Studies,
Writing
Ontario
Catholic School Graduate Expectations
CGE5a -
works effectively as an interdependent team member.
Specific
Expectations
LA1.03 -
apply knowledge of prefixes, suffixes, and roots to expand vocabulary (e.g.,
use an etymological dictionary to identify the original and expanded meanings
of words);
LS3.02 -
describe how authors use rhetorical and literary devices, such as pun,
caricature, cliché, hyperbole, antithesis, paradox, wit, sarcasm, and
invective, to enhance the meaning of texts (e.g., explain how paradox is used
to deepen meaning in poetry; assess the effectiveness of rhetorical devices
used to emphasize the social criticism in a satirical essay).
Students
are familiar with the use of prefixes, suffixes, and root words to extend
vocabulary.
·
Prepare
lessons on etymology with activities designed to assess students’ understanding
of etymological principles. (See a worksheet in Language Power (Toronto: Gage, 2000) on page 112 called Dictionary:
Word Origins.)
·
Prepare
summative quiz to evaluate student knowledge and understanding.
·
The
teacher delivers lesson(s) on etymology.
·
Using
overheads and print handouts, the teacher demonstrates how to read entries in
standard college-level dictionaries: for instance, to find guidance on
pronunciation, morphology, idiomatic constructions, connotations, and usage, as
well as information on derivations and word history.
·
Students
use on-line and print dictionaries to:
· analyse familiar words using principles of etymology;
· use vocabulary-building strategy by creating personal wordlists and recording new words in personal dictionary/thesaurus;
· apply knowledge of roots, prefixes, and suffixes through a summative quiz on Greek and Latin prefixes, suffixes, and root words.
·
Students
should be encouraged to examine current street slang and discuss the origin of
certain slang words with which they are familiar.
·
personal
dictionary/thesaurus (checklist)
·
summative
quiz
Exercises
done in class may require:
·
students
to work in pairs;
·
the
use of a tutor or an editor;
·
the
use of dictating software such as dragon
dictate™;
A quiz may require:
·
multiple-choice
format;
·
more
time for completion;
·
the
use of an Educational Assistant for extra help in working one-on-one with a
student.
Teacher
Resources
www.utoronto.ca/writing/vocab.html
Student
Resources (books listed on Microsoft’s Encarta Encyclopaedia 2001 CD-ROM)
Almon,
Jordan. Dictionary of Word Origins: A
History of the Words, Expressions and Clichés We Use. Citadel, 1995.
Ayers,
Donald M. English words from Latin and
Greek elements, 2nd ed. Tucson: University of Arizona Press, 1986.
Bevington,
Gary. Where Do Words Come From? An
Introduction to Etymology. Kendall/Hunt, 1995.
Crutchfield,
Roger S. English Vocabulary Quick
Reference: A Comprehensive Dictionary Arranged by Root Words. Lexadyne,
1998.
Crystal, David. English as a Global Language. Cambridge: Cambridge UP, 1998.
Davies,
Peter. Roots: Family Histories of
Familiar Words. McGraw-Hill, 1981.
Hoad,
Terry F. The Concise Oxford Dictionary of
English Etymology. Oxford: Oxford UP, 1986.
Klein,
Ernest. A Comprehensive Etymological Dictionary
of the English Language. Elsevier, 1971, 1979.
Mish,
Grederick C., ed. The Merrriam-Webster
New Book of Word Histories. Merriam-Webster, 1991.
The Oxford English Dictionary on
Historical Principles.
(32 volumes, also on CD-ROM)
http://www.chass.utoronto.ca/chass/oed/oedpage.html
http://www.oed.com/
(on-line access unfortunately restricted).
Time: 180 minutes
The study
of literary archetypes reinforces the emphasis on pattern introduced and
developed in Activities 1 - 4. Through a multimedia exhibition, students
recognize patterns of repetition and variation in literature as well as media
works (e.g., the sit-com formula). This activity also links the study of literary
periods to students’ own experience of popular culture.
Strand(s): Language, Literature Studies and Reading, Media
Studies, Writing
Ontario
Catholic School Graduate Expectations
CGE7g -
respects and understands the history, cultural heritage, and pluralism of
today’s contemporary society.
Specific
Expectations
LS1.04 -
compare their own ideas, values, and perspectives with those expressed or
implied in a text (e.g., analyse the thinking and response of a fictional
character in a crisis and compare them with their own probable reactions;
debate two different interpretations of a literary work using specific
references to the text to support their arguments);
WR3.02 -
select and use appropriate organizational devices and patterns to structure
short stories, poems, and multimedia presentations (e.g., use flashbacks to
present background information in a short story; use extended metaphor in a
poem; use a storyboard to establish sequence in a scene from a literary work);
MD2.01 - design or create media
works based on ideas, themes, and issues examined in this course (e.g., create
media works based on a theme from literature, using available resources; write
dialogue for a commercial to promote sales of a novel; create a promotional
campaign to sell the same idea or service to two or more different audiences).
·
Students
apply knowledge of biblical stories, especially from the Old Testament.
·
Students
review mythic patterns that emerged in storytelling circle during Unit 1.
·
Prepare
a lecture on archetypes using examples from the myths and sacred texts studied
in Unit 1. Consider links between traditional literary archetypes and students’
own cultural experience (e.g., Hercules,
the quest dimension of Survivor, good
versus evil depicted in Disney films, etc.).
·
Find
examples – print and electronic – of installation art exhibits. (See Internet
sites in Resources for examples). Prepare and provide various venues and
mediums for students to access during exhibition, including: print media,
animation, sculpture, painting, video, ambient recordings, etc.
·
Deliver
lesson on literary archetypes by engaging the class in Socratic dialogue.
·
Review
stories presented in storytelling circle and identify examples of mythic images
and situations. Patterns to look at include:
· archetypal situations (e.g., birth, death, the fall of humanity/expulsion from the Garden of Eden, etc.);
· archetypal themes (e.g., Oedipus complex, Cain and Abel, etc.);
· archetypal symbols (e.g., sun, moon, seasons, animals, etc.).
·
Foster
respect for the history, cultural heritage, and pluralism of contemporary
society by examining selections from mythologies and sacred texts from around
the world.
·
Present
a variety of installation art examples (e.g., as documented in art books, on
the Internet, play ambient recordings, etc.). Discuss the history of the Carnivalesque (Rabelais) and its
implications for this activity.
·
Assign
multimedia exhibition.
·
Use
various techniques (e.g., brainstorming, class discussion, and note-taking) to
make connections between literary history and popular culture).
·
Students
apply knowledge of literary archetypes through the creation of a multimedia
exhibition (e.g., collect and display evidence of archetypes in popular culture
carnival-style using visual, aural, and textural aspects of representations).
·
multimedia
exhibition (brainstorming and planning checklists; presentation rubric)
·
A
rich performance task (or culminating project) may require more time and the
task may need to be divided into more manageable chunks.
·
A
multimedia exhibition may require extra student-teacher conferencing.
Print
Bible: The
Holy Bible – New Revised Standard Version. Nashville: Thomas Publishers,
1989.
Creighton, David. Myths Within. Toronto: Gage, 1992.
Frye, Northrop. The Great Code: The Bible and Literature. 1982.
Frye,
Northrop. Fables of Identity: Studies in
Poetic Mythology. 1963.
Knox,
Bernard, ed. The Norton Book of Classical
Literature. New York: W.W. Norton, 1993.
MacPherson,
Jay. Four Ages of Man. Toronto:
MacMillan, 1962.
Preminger,
Alex and T.V.F. Brogan, eds. The New
Princeton Encyclopaedia of Poetry and Poetics. New Jersey: Princeton UP,
1993.
Zimmerman,
J.E. Dictionary of Classical Mythology.
New York: Bantam, 1985.
Internet
(Teacher preview recommended)
http://members.tripod.com/~soundart/
http://www.fastandwide.net/
http://asuam.fa.asu.edu/disfunctional/art.htm
http://www.235media.com/
http://jupiter.ucsd.edu/
http://www.artcyclopedia.com/media/Installation_Artist.html
http://bastilleweb.techhouse.org/
Time: 240 minutes
The unit
closes with an examination of the forces that continue to shape the English
language. Current standards of usage are reviewed and clarified through a
series of intensive grammar lessons and exercises. A variety of issues,
including political correctness, the effect of technology, world English,
gender inclusiveness, etc., are discussed and examined in a formal analytic
response paper.
Strand(s): Language, Literature Studies and Reading, Media
Studies, Writing
Ontario
Catholic School Graduate Expectations
CGE2e -
uses and integrates the Catholic faith tradition, in the critical analysis of
the arts, media, technology, and information systems to enhance the quality of
life.
Specific
Expectations
WR2.04 - select
and use a level of language and a voice appropriate to the specific purpose and
intended audience for a piece of writing (e.g., use colloquialisms to establish
an authentic voice for a character in a short narrative; use an appropriate
voice in an academic essay on a work of literature);
WR5.04 -
edit and proofread their own and others’ writing, identifying and correcting
errors according to the requirements for grammar, usage, spelling, and
punctuation listed below:
Grammar and Usage: use parts of speech correctly and in a consistent manner in writing (e.g., use the possessive case to modify a gerund);
Grammar and Usage: communicate complex ideas using a variety of sentence structures (e.g., use coordination and subordination for emphasis and to improve clarity; use parallelism and balance as an aid to clarity);
Grammar and Usage: use pronouns correctly, with particular emphasis on personal, relative, and reflexive pronouns;
Grammar and Usage: use verb tenses appropriately and correctly (e.g., use the present perfect tense when expressing general truths, when writing about literature, and when summarizing an author’s views; use the past perfect tense to express an action already completed at some specific time in the past);
Grammar and Usage: use active and passive verb voice effectively to suit purpose and audience (e.g., use the active voice for clarity of expression; recognize the function of the passive voice as used in history and the sciences);
Grammar and Usage: use parallel structures correctly and for rhetorical effect (e.g., express equal ideas in the same grammatical form, balancing single words with single words, phrases with phrases, clauses with clauses; use parallel structure in the paragraphs of an essay for clarity and emphasis);
Grammar and Usage: show understanding that grammar may be used unconventionally for a particular effect in advertising, poetry, and for characterization in fiction and drama;
Spelling: demonstrate an understanding of a wide range of spelling patterns, rules, and strategies by recognizing and correcting their own and others’ spelling errors (e.g., understand the conventions of Canadian, British, and American spelling; recognize difficulty in spelling words ending in cede, ceed, and sede);
Spelling: spell correctly specific historical, academic, and literary terms used in course materials;
Spelling: use a variety of print and electronic resources to flag possible errors and improve spelling (e.g., understand the limitations of electronic spell checkers; use dictionaries when in doubt about spelling);
Punctuation: use punctuation correctly and thoughtfully to clarify meaning, to show the grammatical relationships between words, and to add emphasis;
Punctuation: use commas correctly with restrictive and non-restrictive words, phrases, and clauses;
Punctuation: introduce and punctuate long quotations correctly in the body of an essay;
LA1.05 -
recognize, describe, and use correctly, in oral and written language, the
language structures of standard Canadian English and its conventions of
grammar, usage, spelling, and punctuation, as prescribed for this course (e.g.,
consult recognized style guides for information about language conventions);
MD1.01 -
demonstrate critical thinking skills by identifying bias and by analysing
explicit and implicit messages in media works (e.g., explain the effect of
images used in a film; identify the perspective of a newspaper or magazine).
Students
draw on experience with e-mail, slang, and regional dialects.
·
Prepare
informal diagnostic tool to assess students’ knowledge and understanding of
grammar conventions.
·
Prepare
discussion outline on twentieth-century English in light of current usage and
language theories.
·
Prepare
specific exercises for intensive grammar study and a summative grammar quiz.
·
Students
read various (electronic and print) articles about world English and its use in
the new millennium.
·
Discuss
the issues raised in the articles together as a class.
·
Distribute
copy of analytic response rubric and assign analytic responses to magazine and
newspaper articles about current usage issues.
·
Guide
students through intensive grammar review with extensive practical application
and exercises.
·
Students
write a summative grammar quiz with a focus on application.
·
analytic
responses (rubric) (Appendix 2)
·
grammar
exercises (completion)
·
summative
grammar quiz
·
For
written assignments such as an analytic response, students can be accommodated
with use of a computer.
·
A
written assignment may also require a scribe or dictation given by an
Educational Assistant.
·
A
quiz may require multiple-choice format, more time for completion, or an
Educational Assistant for extra help in working one-on-one with a student.
Print
Burchfield, R.W. The New Fowler’s Modern English Usage, 3rd ed. Oxford: Oxford UP, 1996.
Hayakawa,
S.I. and Eugene. Choose the Right Word: A
Contemporary Guide to Selecting the Precise Word for Every Situation, 2nd ed. New York: Harper Collins, 1994.
Hoffman,
Eva. Lost In Translation. New York:
Penguin, 1989.
Ingram,
Jay. Talk, Talk, Talk. Toronto:
Penguin, 1993.
Kellow,
Brian and John Krisak. Language Matters:
expression, usage, structure. Don Mills: Oxford UP, 1996.
Luengo,
Anthony. Canadian Writer’s Handbook.
Scarborough: Prentice Hall, 1995.
Marlyn,
John. Under the Ribs of Death.
Toronto : McClelland & Stewart, 1957.
Miller,
Casey and Kate Swift. The Handbook of
Nonsexist Writing. New York: Lippincott & Crowell, 1980.
O’Conner,
Patricia. Woe Is I: The Grammarphobe’s
Guide to Better English in Plain English. New York: Putnam, 1996.
Pinker,
Steven. The Language Instinct. New
York: Harper, 1994.
Proctor,
Margaret and Margot Northey. Writer’s
Choice. Toronto: Prentice-Hall, 1998.
Rice,
Ruth. English Teacher’s Book of Instant
Word Games. New York: The Centre for Applied Research in English, 1992.
Strunk,
William and E.B. White. The Elements of
Style, 4th ed. Boston:
Allyn & Bacon, 2000.
Temple,
Michael. English Homework Exercises.
Oxford: Oxford UP, 1998.
Internet
http://www.utoronto.ca/writing/books6.html
Jerz’s Literacy Web Log –
http://www.uwec.edu/Academic/Curric/jerzdg/writing/index.html
Writing Handouts –
http://www.uwec.edu/jerzdg/orr/handouts/index.html
Websites for Students of English as a Second
Language – http://www.utoronto.ca/writing/other4.html
Online
Writing Reference Tools – http://www.utoronto.ca/writing/other1.html
On-line
Writing Advice from [Post-secondary] Institutions –
http://www.utoronto.ca/writing/other2.html
Other Lists of Online Resources – http://www.utoronto.ca/writing/other3.html
E-zines
http://www.straightgoods.com/
http://www.salon.com/
Handout
on Unbiased Language – http://www.utoronto.ca/writing/unbias.html
Appendix
1 – Double-entry Journal Response Rubric
Appendix
2 – Analytic Response Rubric
|
Achievement Categories/ Criteria |
Level 1 (50 – 59%) |
Level 2 (60 – 69%) |
Level 3 (70 – 79%) |
Level 4 (80 – 100%) |
|
Thinking/Inquiry |
|
|
|
|
|
-
response uses specific and relevant evidence from the poem -
response displays an insightful understanding of the issues raised in the
poem LS1.02 |
-
response is based on a limited number of details from each poem -
response displays a limited understanding of the issues raised in the poem |
-
response is based on few details from each poem -
response displays moderate understanding of the issues raised in the poem |
-
response is based on a considerable number of details from each poem -
response displays a considerable understanding of the issues raised in the
poem |
-
response is based on a high number of details from each poem -
response displays a high degree of understanding of the issues raised in the
poem |
|
-
response analyses the effect of the poet’s choices of language, syntax,
literary and rhetorical devices -
response explains the overall effect of the poem LS3.03 |
-
response is based on limited understanding of literary conventions and
devices -
response displays a limited level of insight into the overall effect of the
poem |
-
response is based on some understanding of literary conventions and devices -
response displays some level of insight into the overall effect of the poem |
-
response is based on considerable understanding of literary conventions and
devices -
response displays a considerable level of insight into the overall effect of
the poem |
-
response is based on a high degree of understanding of literary conventions
and devices -
response displays a high level of insight into the overall effect of the poem |
|
Application |
|
|
|
|
|
-
response extends vocabulary by defining the denotative and connotative
meanings of unfamiliar words LA1.01 |
-
identifies and explains levels of meaning with limited effectiveness |
-
identifies and explains levels of meaning with some effectiveness |
-
identifies and explains levels of meaning with considerable effectiveness |
-
identifies and explains levels of meaning with a high degree of effectiveness |
Note: A student whose achievement is below level 1
(50%) has not met the expectations for this assignment or activity.
|
Achievement Categories/ Criteria |
Level 1 (50 – 59%) |
Level 2 (60 – 69%) |
Level 3 (70 – 79%) |
Level 4 (80 – 100%) |
|
Thinking/Inquiry |
|
|
|
|
|
-
insightful analysis of article’s discussion about language usage and/or
theory MD1.01 |
- uses
critical thinking skills and analysis with limited effectiveness to draw
conclusions about the relevance and accuracy of information in the article |
- uses
critical thinking skills and analysis with moderate effectiveness to draw
conclusions about the relevance and accuracy of information in the article |
- uses
critical thinking skills and analysis with considerable effectiveness to draw
conclusions about the relevance and accuracy of information in the article |
- uses
critical thinking skills and analysis with a high degree of effectiveness to
draw conclusions about the relevance and accuracy of information in the
article |
|
Application |
|
|
|
|
|
-
correct use of grammar, usage, spelling, and punctuation in the analytic
response paper WR5.04 |
- uses
the required language conventions with limited accuracy and effectiveness |
- uses
the required language conventions with some accuracy and effectiveness |
- uses
the required language conventions with considerable accuracy and
effectiveness |
- uses
the required language conventions accurately and effectively all or almost
all of the time |
Note: A student whose achievement is below level 1
(50%) has not met the expectations for this assignment or activity.
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