Course Profile   Classical Civilization (LVV4U), Grade 12, University Preparation, Public

 

Unit 3:  Rome and Its Empire

 

Activity 1 | Activity 2 | Activity 3 | Activity 4 | Activity 5 | Activity 6 | Activity 7

 

Unit Description

In the past, Classical Civilization courses tended to focus on Greek culture and civilization. The Romans, however, exerted an equally important influence on the development of the Western world. Therefore, it is imperative to investigate Roman civilization as the vehicle for the transference of Mediterranean culture to later societies. The span of the Roman Empire, again, is vast, and so the following division of topics has been provided to assist teachers in approaching the scope of this civilization.

 

A: Early Rome and the Etruscans

The significant role of the Etruscans in the development of the early history of Rome is crucial to an understanding of later Roman culture and society. Here, students learn about the important Etruscan influence on Roman politics, religion, mythology, entertainments, and urban design.

B: Republican Rome

Rome’s early identity as a strong Republic continued to express itself even as it became an Empire. In this section, students learn about the development of Roman Republican government and law, architecture, literature, religion, geography, military, and the way in which Roman culture expanded beyond Italy to reach throughout the Western world.

C: The Roman Empire

Rome made some of its greatest achievements as an Empire, as evidenced by the huge variety of literary, historical, architectural, and archaeological sources. This section offers rich opportunities for students to explore the tremendous range of topics from the Imperial period and to enhance their understanding of the culture’s significant influence on the development of the Western world. If time permits, students can be exposed to the complexities of the end of the Empire, and to its division into two parts. The impact of other forces, such as the rise of Christianity, the barbarian invasions, and the metamorphosis of the East into the Byzantine Empire is explained.

Unit Synopsis Chart

Activity

Learning Expectations

Assessment Categories

Tasks

1

Excavations in Etruria
(recommended starting point)

AAV.01; AAV.02; HGV.01; HGV.02; PRV.01; PRV.02
AA1.01; AA1.02; AA1.05; AA1.06; HG1.01; HG1.02; HG1.03; HG1.06; HG1.07; PR1.05; PR1.06; PR1.07

Knowledge/ Understanding
Thinking/ Inquiry
Communication
Application

Research Project, 3-D Model Project, Oral Presentation, Test

2

“Are We There Yet?” Creating a Map of Odysseus’ and Aeneas’ Voyage

MYV.01; MYV.02; MYV.03; AAV.01; AAV.02; LTV.01; HGV.01; HGV.02; HGV.03
MY1.01; MY1.02; MY1.06; MY1.07; AA1.06; AA1.07; LT1.04; HG1.01; HG1.02; HG1.03

Knowledge/ Understanding
Thinking/ Inquiry
Communication
Application

Topographical Map, Test

3

“And That’s the Way It  … Was” - Newscasts From the Past

MYV.01; AAV.01; AAV.02; LTV.01; HGV.01; HGV.02; PRV.01; PRV.02.
MY1.06; AA1.01; AA1.06; LT1.04; LT1.05; HG1.01; HG1.02; HG1.03; HG1.06; PR1.08

Knowledge/ Understanding
Thinking/ Inquiry
Communication
Application

Oral Presentation, Newspaper Activity, Test

4

“Tragedy Tomorrow, Comedy Tonight” – Roman Entertainments

LTV.01; HGV.01; HGV.02.
LT1.01; LT1.02; LT1.03; LT1.04; LT1.05; LT1.07; HG1.01; HG1.03; HG1.06

Knowledge/ Understanding
Thinking/ Inquiry
Communication
Application

Reading and Analysis of an Ancient Play, Dramatization, Written Summary, Test

5

“A Mile in Their Sandals” - Writing Role

MYV.01; AAV.01; AAV.02; LTV.01; HGV.01; HGV.02; PRV.01; PRV.02.
MY1.06; LT1.03; LT1.04; LT1.05; LT1.07; HG1.01; HG1.03; HG1.06; PR1.03; PR1.08

Knowledge/ Understanding
Thinking/ Inquiry
Communication
Application

Research Paper, Presentation, Creative Writing, Test

6

Interview With Emperor

AAV.01; AAV.02; LTV.01; HGV.01; HGV.02; PRV.01; PRV.02
AA1.05; LT1.04; LT1.05; LT1.07; HG1.02; HG1.06; PR1.03; PR1.08

Knowledge/ Understanding
Thinking/ Inquiry
Communication
Application

Oral Presentation, Written Formal Research Paper, Test

7

“Rome Is Where the Heart Is” – The Archaeology of Rome

MYV.01; MYV.02; AAV.01; AAV.02; HGV.01; HGV.02
AA1.01; AA1.02; AA1.06; HG1.02

Knowledge/ Understanding
Thinking/ Inquiry
Communication
Application

Research Report, 3-D Model, Oral Presentation, Test

 

Prior Knowledge & Skills

No prior knowledge of the specific subject material of this unit is assumed. The prerequisite is Grade 10 Academic or Applied English but some students may also have completed from one to three years of a Classical Language course and Grade 11 English. Students must understand the requirements of preparing and writing research papers as well as oral presentation techniques. They are assumed to know how to take notes from lectures and be able to read a variety of materials and make appropriate notes, and work both independently and in groups. This unit strives to reinforce and practise these skills. Teachers must be prepared to review and possibly teach these skills when it is apparent that their students lack sufficient background.

Planning Notes

Teachers must gather a series of slides, pictures, overheads, maps, in addition to anthologies of original Classical authors, and other ancillaries which will help them teach the various components of the unit on the Romans. They may wish to create worksheets and question sheets for any literary works studied in addition to rubrics for the various assessments.

Teachers are not expected to teach every activity in this unit. Rather, they should carefully choose the ones that satisfy their students’ needs and interests. The unit is 40 hours in length; teachers should select three to four activities that will fill this time allotment. They should follow the specific expectations as these will guide them as to the content and will help them develop their lectures, lessons, and related activities. Also, teachers should ensure that they include as much etymology of appropriate terminology as possible. Finally, it is recommended that teachers choose Activity 1, Excavations in Etruria, as a starting point for the unit.

Accommodations

See the comprehensive list of accommodations in the Course Overview.

Resources

An extensive list of resources, listed by strand, is provided in the Course Overview.

 

Activity 1:  Excavations in Etruria

Description

This activity is intended to be done at the end of the unit on Etruscans. Students are asked to consider the Etruscan origins of Roman culture taught in class and express what they have learned in a creative/ artistic way. This activity brings the Etruscan culture to life for students by having them recreate significant archaeological remains in their own classroom.

Specific Expectations

AA1.01 - identify correctly different architectural features and explain their functions (e.g., the different orders of columns, parts of Classical houses and public buildings, different types of arches and their uses);

AA1.02 - define architectural terms (e.g., pediment, stylobate, portico, column, peristyle) taken directly from ancient Greek (e.g., stylobaton, peristylion) and Latin (e.g., porticus, pedimentum, columna);

AA1.05 - show an understanding of different styles of sculpture (e.g., Orientalized, Archaic, Classical, Hellenistic, Roman) in a variety of activities (e.g., slide/picture identification, creation of replicas, presentations);

AA1.06 - explain aspects of life in ancient times (e.g., the existence of a trade system involving other civilizations; the level of wealth in society; the social order; burial customs; the level of literacy) by making inferences from artifacts and sites discovered through archaeological excavation;

HG1.01 - identify correctly the geographic location of places in the Classical world (e.g., locate places mentioned in literature, mythology, and history);

HG1.02 - explain the impact of historical developments on culture (e.g., the impact of the Persian Wars on the building of the Parthenon) orally as well as in writing;

HG1.03 - show an understanding of the relationship between the history, geography, and literature / mythology of ancient Greece and Rome (e.g., trace Odysseus’ route home through the Mediterranean, outline the connection between the Aeneid and the Punic Wars);

HG1.06 - demonstrate the ability to analyse ancient societies in terms of social organization and class structure (e.g., gender roles, class divisions, slavery) and make comparisons with other societies through the ages;

HG1.07 - demonstrate knowledge of the influence of Classical political, legal, and cultural institutions on later societies (e.g., the widespread adoption of democracy; Canada’s legal system);

PR1.05 - identify and describe the different religions found in the ancient world (e.g., mystery religions, Mithraism, Judaism, Christianity, the celebration of the Eleusinian mysteries, state religion, the worship of Isis, and other mythological deities);

PR1.06 - demonstrate an understanding of Latin and ancient Greek religious terms (e.g., Pontifex Maximus, auger, liturgia);

PR1.09 - analyse the influence of religion on Classical culture (e.g., emperor-worship, the amalgamation of deities from different cultures, the adoption of Christianity by the Roman empire) in a variety of activities (e.g., discussions, research projects, and seminars);

Prior Knowledge & Skills

Students are able to conduct research and give a formal presentation.

Planning Notes

Teachers should consider the various options below and gather, or direct students to gather, a variety of art materials for this activity (e.g., air-dry clay, stir sticks, spoons, pencils, markers, paint and paint brushes, butcher paper or canvas, etc.).

Teachers prepare clear (perhaps written) instructions and the rubric which will be used.

Teachers may wish to seek assistance from their schools’ art or computer teachers.

They collect a variety of pictures of Etruscan tomb paintings which can be made into overheads, slides, or electronic presentations.

This activity is best done as an in-class group learning activity, or as a marked group project.

Teachers arrange library time for students to research their projects.

Teaching/Learning Strategies

·         Teachers introduce students to the Etruscans and show their importance to early Rome’s development in terms of its art, and political and religious innovations. The Etruscans had an enduring impact on the development of Rome and its institutions. Teachers should focus on the geography of Etruria and its progression from the Villanovan culture of the Iron Age, including its trade conducted with the Greeks of Magna Graecia. Teachers should provide a map of Italy, detailing Etruscan sites. They should also address the question: where did the Etruscans come from? Teachers must emphasize that, since the Etruscan language cannot be translated, scholars can only rely on archaeological evidence for information. Teachers should also note the wide range of scholars’ theories about the origins of the Etruscans.

·         Teachers discuss the importance of archaeological remains and artifacts as methods of determining important information about the Etruscans, such as social class, gender roles, family structure, and religious attitudes (particularly life after death). Teachers show slides, overheads, or pictures from books of various tombs highlighting decoration and the attendant messages. In addition, teachers show pictures of sarcophagi, and funerary artifacts, such as personal items, mirrors, jewellery, etc.

·         Students may choose topics, or teachers may wish to assign them as appropriate to the classroom situation. Depending on which option teachers choose, they may wish to divide students into groups and organize each group’s (or individual’s) contribution to the creation of the artifacts listed above. Some projects may best suit an individual performance; teachers may wish to organize projects according to this qualification.

·         To recreate an Etruscan sarcophagus (the majority of these were actually small ossuaries) students will need access to pictures of sarcophagi, air-dry clay, and sculpting tools (e.g., stir sticks, spoons, pencils).

·         To recreate an Etruscan tomb painting, students make an overhead copy of paintings they wish to replicate, and project them onto large butcher paper or drop sheets taped to the wall. Students can then trace the outlines of the figures along the projected lines. When the outlines have been made, students can then paint the figures with the appropriate colours and add detail as they require. There should be one painting on each wall to represent accurately the decoration of an Etruscan tomb.

·         When each recreation has been finished, teachers and students arrange the room so that it takes on the approximate look of an Etruscan tomb. At this time, students deliver a brief oral report on their project.

·         To allow students to experience the artistic ambiance of Etruscan archaeological remains, teachers could re-enact an Etruscan funerary banquet, arranging for the projects to be finished, and the students to bring in a variety of foods and appropriate beverages (e.g., ova diabola, mala, olivae et vinum falsum, etc.) similar to those which the Etruscans may have consumed. Teachers are cautioned to review the rules of safety for a re-enactment and they must ensure that all food allergies have been recognized. (Teachers may refer the Course Profile for Classical Languages, Level 1 for an outline of a banquet simulation.)

Assessment & Evaluation of Student Achievement

·         Formative: Teachers observe students as they work independently or in groups to remediate problems and ensure successful group dynamics.

·         Summative: Teachers evaluate the project (painting, 3-D model, etc.) and the oral presentation according to the rubric provided in advance. (Note: Individual student contribution to the project must be assessed separately if the project is to be used for summative purposes.

·         Students respond to test and exam questions on the material learned.

 

Activity 2:  “Are We There Yet?” – Creating a Map of Odysseus’
                                                                                    and Aeneas’ Voyage

Description

The purpose of this activity is to consolidate the geography of the Mediterranean by locating important archaeological sites and to link these to the literature of the Odyssey and Aeneid by comparing the routes of Odysseus and Aeneas. In addition, the activity reinforces the understanding of the cultural diversity of the Mediterranean world, e.g., that ancient peoples settled in a variety of locations and frequently mixed with others, causing elements of their cultures to be widespread.

Specific Expectations

MY1.01 - describe some of the essential aspects and characteristics of myths (e.g., myths originate in a culture’s oral traditions; they reflect aspects of culture, especially religious beliefs);

MY1.02 - identify different types of myth (e.g., heroic quests, creation myths) and explain their significance orally and in writing;

MY1.06 - show an understanding of the myths studied by expressing personal interpretations orally (e.g., in group discussions, dramatizations, presentations, skits) and in writing (e.g., in journals, plays and essays);

MY1.07 - identify elements of Classical mythology in art (e.g., in paintings, mosaics, sculptures) literature and music;

AA1.06 - explain aspects of life in ancient times (e.g., the existence of a trade system involving other civilizations; the level of wealth in the society; the social order; burial customs; the level of literacy) by making inferences from artifacts and sites discovered through archaeological exploration;

AA1.07 - apply their knowledge of archaeological discoveries to Classical literature (e.g., apply knowledge of the findings at Troy to explore and understand the importance of the Iliad);

LT1.04 - explain the relationship between literary works studied and the cultural/historical context in which they were produced (e.g., explain the connection between the Aeneid and Roman propaganda in the first century);

HG1.01 - identify correctly the geographic location of places in the Classical world (e.g., locate places mentioned in literature, mythology, and history);

HG1.02 - explain the impact of historical developments on culture (e.g., the impact of the Persian Wars on the building of the Parthenon) orally as well as in writing;

HG1.03 - show an understanding of the relationship between the history, geography, and literature / mythology of ancient Greece and Rome (e.g., trace Odysseus’ route home through the Mediterranean; outline the connection between the Aeneid and the Punic Wars).

Prior Knowledge & Skills

Students are assumed to have acquired an understanding of the geography of the Mediterranean, as well as the ability to use an atlas and read a map. In addition, this activity presumes that the students have studied The Odyssey in the previous Greek unit and have already completed basic geographical surveys of the archaeological sites.

Planning Notes

Teachers acquire transparencies of the Mediterranean world (see Richard J. A. Talbert Atlas of Classical History in the Resource list), as well as have access to an appropriate number of atlases, and arrange to have a large map of the Mediterranean on an overhead or on display at the front of the classroom. They may wish to coordinate this activity with the Geography department at their schools to access maps and atlases, as well as the Computer or Art department which may be interested in designing a joint project (since this activity could also be done as a computer graphics or website project). Teachers will need to organize materials for the construction of the topographical map (e.g., paper, flour, and water for papier maché, or such materials as “Paperclay” or “Model Magic,” foam board, cardboard, paint, markers, glue, etc.).

Teaching/Learning Strategies

·         Teachers review the geography of the Mediterranean world in the previous Greek unit.

·         Teachers review the journey of Odysseus with the class, brainstorming with the students the possible locations he visited during his ordeals. Students mark their maps with indications of these sites. (This part of the activity could be done in advance, when The Odyssey [or selections thereof] is originally studied.)

·         Teachers introduce the Aeneid to the class. The focus of this activity is not the intensive study of the Aeneid but rather a survey of it from a geographical and historical perspective. This activity is intended to accompany the students’ reading of the epic (or selections thereof). As the class studies the Aeneid, teachers assist students in labelling the sites which Aeneas visits. Teachers may choose to read the Aeneid as an entire work; this will depend, however, on the ability level of the students and the time available for such an exercise. It may be advisable for teachers to create a series of comprehension questions to accompany the epic. An alternative method is to divide the students into groups and have each group present a book of the work to the class. Teachers may, instead, choose a selection of books about the Aeneid to read to rather than the original in its entirety. It is very important that teachers explain historical allusions, review mythological allusions, and explore elements of Augustan propaganda which appear in the epic.

·         Teachers provide students with the assignment outline and rubric and divide the students into groups. Students conduct research into the archaeological sites and topography of the Mediterranean. (Teachers direct students to try and deduce where mythological places may have been, such as the island of Circe, the Sirens, the location of Scylla and Charybdis.) They then create a topographical map of the Mediterranean world, representing each major site of the epic, and those encountered by Odysseus and Aeneas. Students distinguish between Odysseus’ journey and Aeneas’ journey by using different colours of lines, and different symbols, to represent the journey of each hero on the map.

Assessment & Evaluation of Student Achievement

·         Diagnostic:            Teachers review Odysseus’ journey, and in this way assess students’ recollection of Mediterranean geography.

·         Formative:  Teachers observe students as they label their maps to ensure that they are not having difficulty locating sites.
Teachers conference with students as they conduct research into the archaeological sites.
Teachers guide students in their reading of the Aeneid and clarify any difficulties the students encounter by correcting answers to their questions, or by engaging in class discussion.

·         Summative: Students create a topographical map of the Mediterranean featuring archaeological sites as well as those visited by Odysseus and Aeneas with representations of the perils they encountered.

·         Students respond to test or exam questions where they must label maps of the Mediterranean world with appropriate Classical sites.

 

Activity 3: “And That’s the Way It  … Was” – Newscasts From the Past

Description

The purpose of this activity is to allow students to research independently and present elements of the early history and associated mythology of Rome in a unique way. In this small group activity, students are asked to create a newscast based upon various aspects of the course content.

Specific Expectations

MY1.06 - show an understanding of the myths studied by expressing personal interpretations orally (e.g., in group discussions, dramatizations, presentations, skits) and in writing (e.g., in journals, plays and essays);

AA1.01 - identify correctly different architectural features and explain their functions (e.g., the different orders of columns; parts of Classical houses and public buildings; different types of arches and their uses);

AA1.06 - explain aspects of life in ancient times (e.g., the existence of a trade system involving other civilizations; the level of wealth in society; the social order; burial customs; the level of literacy) by making inferences from artifacts and sites discovered through archaeological exploration;

LT1.04 - explain the relationship between literary works studied and the cultural/historical context in which they were produced (e.g., explain the connection between the Aeneid and Roman propaganda in the first century);

LT1.05 - show an understanding of the works studied by expressing personal responses in writing (e.g., write a journal commenting on the changing role of women in ancient Greece or Rome; write from the point of view of a character in a work studied; write newscasts describing specific events in ancient times);

HG1.01 - identify correctly the geographic location of places in the Classical world (e.g., locate places mentioned in literature, mythology, and history);

HG1.02 - explain the impact of historical developments on culture (e.g., the impact of the Persian Wars on the building of the Parthenon) orally as well as in writing;

HG1.03 - show an understanding of the relationship between the history, geography, and literature/ mythology of ancient Greece and Rome (e.g., trace Odysseus’ route home through the Mediterranean; outline the connection between the Aeneid and the Punic Wars);

HG1.06 - demonstrate the ability to analyse ancient societies in terms of social organization and class structure (e.g., gender roles, class divisions, slavery) and make comparisons with other societies through the ages;

PR1.09 - analyse the influence of religion on Classical culture (e.g., emperor-worship; the amalgamation of deities from different cultures; the adoption of Christianity by the Roman empire) in a variety of activities (e.g., discussions, research projects, and seminars).

Prior Knowledge & Skills

Students are assumed to understand the structure of a news report or of a newspaper as presented in the Grades 9 and 10 English program.

Planning Notes

Teachers create an assignment outline and marking criteria for this activity (see Appendices 1 and 2). They may find it helpful to consult the media arts, technology, or computer teacher(s) for assistance in planning, supporting students, and marking this assignment. This assignment could also be done as a newspaper, in which case teachers may wish to gather newspaper resources. This activity could be done at the end of any topic, unit, or as part of the culminating activity at the end of the course.

Teaching/Learning Strategies

·         Teachers review the historical and archaeological sites on the maps with their students. They introduce elements of early Roman history, the influence of the Etruscans, the expulsion of the kings, and the archaeological evidence of the Forum Romanum. This sets a context for the assignment because the intention is for the students to take the initiative to teach their peers about the early history of Rome in a way which is different from a seminar or basic oral presentation.

·         Teachers provide students with the assignment outline and marking rubric for this activity. The assignment outline should offer students a number of choices so that presentations are varied and include information about early Rome, i.e., each group should have a different historical or mythological event upon which to report. Topics include: Dido and Aeneas, the founding of Rome, the abduction of the Sabine women, the early kings of Rome, the building of the Forum Romanum or the Cloaca Maxima, innovation in religious practices (the Sibylline oracles, augury, the introduction of the Magna Mater, temple construction, etc.). These topics should reflect the various strands and expectations noted above.

·         Teachers coordinate the division of students into groups and the assignment of events to dramatize in their newscasts.

·         Students carry out research into the historical/mythological event which their group is presenting using the various roles of a news report as a guide, e.g., the anchor person, political commentator, investigative reporter, sports reporter, weather reporter, etc.

·         Students then decide who will take on which role, costuming, props, questions for the interviews, etc. They arrange the research into the appropriate sections for the newscast, and then practise prior to the taping or presentation of their reports.

·         Alternatively (at the discretion of the teacher), students could submit this assignment in written newspaper form.

·         This activity could be easily adaptable to any time period in Roman history and could be particularly effective during the latter part of the first century A. D., e.g., when referring to the great fire of Rome, the eruption of Mount Vesuvius, the fall of Masada, emperor worship in the east, the rise of Christianity, etc.

Assessment & Evaluation of Student Achievement

·         Formative: Teachers coordinate the groups and assignment of events for presentation, and then circulate during in-class work sessions to ensure that problems are remediated.

·         Summative: Students perform the newscast (live or on videotape/computer), or submit the written newspaper. Students are assessed individually for their contributions.

·         Students write test and exam responses in which they demonstrate their understanding of the material.

 

Activity 4: “Tragedy Tomorrow, Comedy Tonight” – Roman Entertainments

Description

In this activity, students make a dramatic presentation based on a Roman play which is studied during the literature portion of this section of the course.

Specific Expectations

LT1.01 - explain literary terms taken directly from ancient Greek and Latin (e.g., deus ex machina, dramatis personae, exit, exeunt);

LT1.02 - read Classical works and analyse them with reference to plot, characterization, and stylistic devices (e.g., use of metaphors, similes, allusions, personification, foreshadowing);

LT1.03 - trace the development of themes in a play or other work of literature;

LT1.04 - explain the relationship between literary works studied and the cultural/historical context in which they were produced (e.g., explain the connection between the Aeneid and Roman propaganda in the first century);

LT1.05 - show critical understanding and appreciation of the works studied (e.g., write a book report; compare Roman love poetry to Shakespearean love sonnets; compare Classical authors to each other);

LT1.07 - show an understanding of the works studied by expressing personal responses in writing (e.g., write a journal commenting on the changing role of women in ancient Greece or Rome; write from the point of view of a character in a work studied; write newscasts describing specific events in ancient times);

HG1.01 - identify correctly the geographic location of places in the Classical world (e.g., locate places mentioned in literature, mythology, and history);

HG1.03 - show an understanding of the relationship between the history, geography, and literature/ mythology of ancient Greece and Rome (e.g., trace Odysseus’ route home through the Mediterranean; outline the connection between the Aeneid and the Punic Wars);

HG1.06 - demonstrate the ability to analyse ancient societies in terms of social organization and class structure (e.g., gender roles, class divisions, slavery) and make comparisons with other societies through the ages.

Prior Knowledge & Skills

Students are assumed to understand the basic requirements of a dramatic presentation.

Planning Notes

Teachers should gather sufficient copies of a variety of Roman comedies by Plautus or Terence. They may also wish to arrange for time in the auditorium or for use of the Drama room. This activity could be enacted live in class or through a videotape/ computer presentation.

Teaching/Learning Strategies

·         If students have studied a Greek tragedy in the previous Greek sections of the course, the teacher could lead students in a discussion of the differences between Greek tragedy and Roman tragedy.

·         Teachers should also mention the development of comedy from the satyr play which accompanied the Greek tragedy.

·         Teachers present lectures about Roman entertainments, including the history of the gladiatorial combats (adapted from Etruscan funerary rites*), chariot races, theatre and drama (pantomime and mime), recitationes, street performers, etc. It is important that teachers address the social classes to which these entertainments most appealed. Also, teachers should focus on the Etruscan and Greek influences on all Roman spectacles and note that, as the Romans expanded beyond Rome in their commercial and militaristic exploits, these entertainments evolved and became more popular.

* “Gladiators emerged among the Etruscans as a form of the traditional blood sacrifice held at funerals, when teams of warriors duelled to the death. When the early Romans fell under the domination of ETRURIA, many prisoners of war were offered up in this manner, a ceremony repeated in 358 B.C., when 307 captives were sacrificed in the Tarquin Forum. Inevitably, the Romans accepted many Etruscan rituals; in 264 B.C., the family of M. Brutus solemnly celebrated his funeral with gladiatorial battles.” (Bunson, 181)

·         Alternatively, teachers could assign these topics to groups of students to present as seminars.

·         Teachers provide basic historical and literary information about Rome’s greatest playwrights, Plautus and Terence, including the historical background of the play(s) to be studied. At this time, teachers introduce performance standards in Roman times and the design of Roman theatres. Teachers discuss literary topics appropriate to the chosen play such as characterization, setting, hyperbole, incongruity, etc. Teachers can draw on the students’ knowledge from their English courses on these topics.

·         Teachers provide students with a clear outline of the assignment requirements and the marking rubric, and then coordinate the division of the class into groups who draw from a hat the selection of the play to present. Alternatively, teachers may choose a series of plays for students to read in groups, rather than studying one play intensively. Student ability, interest, and time constraints will be the determining factors critical in this choice. (It is suggested that teachers arrange for each group of students to read one play from among: the Menaechmi, Pseudolus, Mostellaria, Miles Gloriosus, or Phormio. Other selections are certainly acceptable, as well.)

·         Students read the play selected by their group and create a formal, written summary of it which is then distributed to the class accompanied by a presentation.

·         Students prepare and present a favourite scene, complete with appropriate costumes and props. Alternatively, students make a videotape or computer presentation of this scene.

Assessment & Evaluation of Student Achievement

·         Formative: Teachers monitor group dynamics and activity, and set up group conferences to discuss any difficulties students are experiencing with reading and interpreting their play or portion thereof. Students dramatize a scene from the Roman play.

·         Summative: Students create a written summary of the play which they have read.

·         Students respond to test and exam questions based on Roman entertainments and particularly plays (especially those involved in this activity).

 

Activity 5: “A Mile in Their Sandals” – Writing in Role

Description

This is a creative writing activity which requires students to write as if they are specific individuals in Roman history or literature. This could be used as part of the final summative assessment.

Specific Expectations

MY1.06 - show an understanding of the myths studied by expressing personal interpretations orally (e.g., in group discussions, dramatizations, presentations, skits) and in writing (e.g., in journals, plays and essays);

LT1.03 - trace the development of themes in a play or other work of literature;

LT1.04 - explain the relationship between literary works studied and the cultural/historical context in which they were produced (e.g., explain the connection between the Aeneid and Roman propaganda in the first century);

LT1.05 - show critical understanding and appreciation of the works studied (e.g., write a book report; compare Roman love poetry to Shakespearean love sonnets; compare Classical authors to each other);

LT1.07 - show an understanding of the works studied by expressing personal responses in writing (e.g., write a journal commenting on the changing role of women in ancient Greece or Rome; write from the point of view of a character in a work studied; write newscasts describing specific events in ancient times);

HG1.01 - identify correctly the geographic location of places in the Classical world (e.g., locate places mentioned in literature, mythology, and history);

HG1.03 - show an understanding of the relationship between the history, geography, and literature/ mythology of ancient Greece and Rome (e.g., trace Odysseus’ route home through the Mediterranean; outline the connection between the Aeneid and the Punic Wars);

HG1.06 - demonstrate the ability to analyse ancient societies in terms of social organization and class structure (e.g., gender roles, class divisions, slavery) and make comparisons with other societies through the ages;

PR1.03 - apply an understanding of Classical philosophy to Classical history and literature (e.g., examine the influence of Stoicism on Marcus Aurelius’ term as emperor; outline the role of Classical philosophy in the development of formal education; explain Aristotle’s role as tutor of Alexander the Great) in a variety of activities (e.g., debates, discussions, presentations, creative projects);

PR1.09 - analyse the influence of religion on Classical culture (e.g., emperor-worship; the amalgamation of deities from different cultures; the adoption of Christianity by the Roman empire) in a variety of activities (e.g., discussions, research projects, and seminars).

Prior Knowledge & Skills

Students have writing skills for essays, reports and letter writing from Grade 10 English.

Planning Notes

Teachers create an assignment outline and a rubric (see Appendix 3.3.2) to inform students as they work on their final product.

Teaching/Learning Strategies

·         This activity should be done toward the end of the unit when students have been introduced to a variety of historical and literary figures from Imperial Rome upon whom they can base this work with familiarity and ease. Teachers discuss the difference between the Republic and the Empire, and the impact of Octavian’s victory over Antony and Cleopatra in 31 B.C.E. In addition, they should look at the changes in the Imperial government system (e.g., the shift in focus from senatorial control to that of the princeps and familia Augusta), the prominence of women such as Livia and Agrippina the Younger under the Empire, the prominence of the Julio-Claudians and Flavians using Tacitus’ Annales and Suetonius’ Lives of the Caesars as sources of information. Teachers should also introduce students to ancient historiography and the influence of propaganda on the work of the ancient historians.

·         Teachers should guide students using such questions as: Where did ancient people get their information? How accurate is it? What impression is given of historical persons, and is it true? What responsibilities do modern scholars have when using ancient sources? Such higher order considerations can be used as a basis from which students approach their writing. Teachers introduce the assignment and provide students with an outline and the marking rubric so that they are aware of the requirements for the assignment.

·         Teachers may wish to model this activity by taking on the role of a character, e.g., the teacher enters the class as the Emperor Claudius, or Agrippina the Younger, so that students can consider the possible steps for planning. Teachers and students work through the process together. Students can suggest alternate means by which to approach this assignment, e.g., characters, historic figures, sources of information – first person accounts versus third person accounts, etc.

·         Students choose a particular historical or literary figure, and conduct research about him or her in order to inform their work.

·         Students create a written piece demonstrating their appreciation of the importance and unique characteristics of the individual chosen. They can write a series of letters or poems, or a play, or memoirs for this assignment.

·         Alternatively, students can be asked to make a presentation to the class in the role of the person chosen based on their research. Students should dress in appropriate costume and could memorize the piece for maximum effect.

·         This activity could easily be adapted to the early history of Rome (including the Etruscans).

Assessment & Evaluation of Student Achievement

Formative:      Teachers monitor student progress as they carry out their research.

Summative:     Students write in the role of the individual chosen.

·         Students make a presentation in the role of the individual chosen.

·         Students respond to test or exam questions requiring them to incorporate the material presented by their classmates.

 

Activity 6:  Interview With an Emperor

Description

Students create a mock documentary in which they interview a significant Roman Emperor about aspects of Roman history, culture, religion, etc.

Specific Expectations

AA1.05 - explain aspects of life in ancient times (e.g., the existence of a trade system involving other civilizations; the level of wealth in the society; the social order; burial customs; the level of literacy) by making inferences from artifacts and sites discovered through archaeological exploration;

LT1.04 - explain the relationship between the literary works studied and the cultural/historical context in which they were produced (e.g., explain the connection between the Aeneid and Roman propaganda in the first century);

LT1.05 - show a critical understanding and appreciation of the works studied (e.g., write a book report; compare Roman love poetry to Shakespearean sonnets; compare Classical authors to each other);

LT1.07 - show an understanding of the works studied by expressing personal responses in writing (e.g., write a journal commenting on the changing role of women in ancient Greece or Rome; write from the point of view of a character in a work studied; write newscasts describing specific events in ancient times);

HG1.02 - explain the impact of historical developments on culture (e.g., the impact of the Persian Wars on the building of the Parthenon) orally as well as in writing;

HG1.06 - demonstrate the ability to analyse ancient societies in terms of social organization and class structure (e.g., gender roles, class divisions, slavery) and make comparisons with other societies through the ages;

PR1.03 - apply an understanding of Classical philosophy to Classical history and literature (e.g., examine the influence of Stoicism on Marcus Aurelius’ term as emperor; outline the role of Platonic philosophy in the development of formal education; explain Aristotle’s role as tutor of Alexander the Great) in a variety of activities (e.g., debates, discussions, presentations, creative projects);

PR1.09 - analyse the influence of religion on Classical culture (e.g., emperor-worship; the amalgamation of deities from different cultures; the adoption of Christianity by the Roman Empire) in a variety of activities (e.g., discussions, research projects and seminars).

Planning Notes

Teachers provide students with a written outline of the expectations for this activity. Teachers may wish to coordinate this activity with the help of the computer, graphic arts, and/or media teachers, where such arrangements are possible, in order to provide support to students. This activity could also be done as an in-class performance.

Teaching/Learning Strategies

·         This activity must be done after teachers have presented students with lessons about the political, historical, literary, and artistic aspects of the Republic and the Empire so that they have a clear understanding of the wide variety of characters who were important in these eras of Roman history. It may also be helpful for students to have some familiarity with Roman historians so that they can consult these primary sources to inform this activity. Once again, teachers may give lectures or review the content of lectures previously delivered on the nature of ancient historiography, the impact of propaganda, biographies of ancient historians such as Tacitus, Suetonius, Cassius Dio, Plutarch, etc.

·         Teachers provide students with a list of influential historical figures (e.g., Sulla, Julius Caesar, Cicero, Augustus, Livia, Lesbia, Agrippina) an assignment outline, and rubric to inform them of the expectations and the way in which they will be evaluated. Students could choose topics from a hat in order to ensure a fair distribution, and to ensure that no historical figure is presented twice.

·         Students (at least in pairs, but groups of four or five are preferable) select an Emperor or another significant individual in whom they are interested and devise an interview program in which they explore aspects of his or her life and experiences, incorporating interviews with other significant people in his or her past, e.g., wife or husband, children, friends, enemies, plebians, slaves, etc. This requires students to research beyond their assigned/chosen historical figure.

·         Using a number of primary and secondary sources, the groups research and write a biography in the form of a research paper on the individual studied. This biography should include reference to the individual’s contributions to Roman society and culture. Alternatively, students could write an essay supporting a thesis based on an argument which emerges from their research, e.g., “Nero is not a villain.” Teachers assign this paper to be completed individually.

Assessment & Evaluation of Student Achievement

·         Formative: Teachers observe students as they work on their research, intervening to suggest sources of information or to help interpret primary sources.
Teachers also observe students as they prepare their documentaries so that they can assist with problems, ideas, suggestions, etc.
In addition, teachers conference with students to help them create appropriate questions used in documentary interviews.

·         Summative: Each student prepares a written report based on a significant individual in Roman history or performs the interview on tape or live.

·         Students respond to test and exam questions on the material learned.

 

Activity 7:  Rome Is Where the Heart Is” – The Archaeology of Rome

Description

In this activity, students are required to explore the structures in and around the Forum Romanum, write a report based upon their research, and create a 3-D model of one of the monuments they encounter.

Specific Expectations

AA1.01 - identify correctly different architectural features and explain their functions (e.g., the different orders of columns; parts of Classical houses and public buildings; different types of arches and their uses);

AA1.02 - define architectural terms (e.g., pediment, stylobate, portico, column, peristyle) taken directly from ancient Greek (e.g., stylobaton, peristylion) and Latin (e.g., porticus, pedimentum, columna);

AA1.06 - explain aspects of life in ancient times (e.g., the existence of a trade system involving other civilizations; the level of wealth in the society; the social order; burial customs; the level of literacy) by making inferences from artifacts and sites discovered through archaelogical exploration;

HG1.02 - explain the impact of historical developments on culture (e.g., the impact of the Persian Wars on the building of the Parthenon) orally as well as in writing.

Planning Notes

Teachers create an activity sheet and rubric which will be provided to students to inform them of the requirements for this activity. Teachers arrange time in the library for their students to do research. Teachers obtain pictures, slides or electronic presentations for the history of the Roman Forum and the urban planning of Rome.

Teaching/Learning Strategies

·         Teachers lecture students on the history of the Roman Forum – how it developed out of a swamp used for burials and sheep-grazing, to a crucially-important social, religious, and political district not only for the city of Rome, but for the whole empire. Teachers should discuss the building of the Cloaca Maxima, the transformation of the Regia from the house of the king to the seat of the Pontifical College, the differences between the structure of the Temple of Vesta and other temples found within the Forum, etc. Teachers should also discuss the urban planning of Rome – why the Colosseum and Circus Maximus were located near the Forum, for example.

·         Teachers could consult Vitruvius to supplement their lectures and should note the importance of the use of cement, as well as the development of the arch and columns in the evolution of Roman architecture. They should address such questions as: Why did the Romans build these monuments? What do these buildings provide for the modern world in terms of architectural or engineering information? What political or religious agenda are served by these buildings? Teachers should also provide lectures on major religious changes such as the introduction of the worship of Isis and Mithras, and Christianity, and note the influences of religion on monumental building and government policy.

·         Teachers provide students with the assignment outline and rubric for this activity as well as class time to access library collections or virtual tours on the Internet on the Forum. Teachers should also oversee the formation of the pairs or small groups who will be responsible for researching each of the buildings in the selection.

·         Students carry out research on the building they have chosen and write a report conforming to the instructions provided.

·         Students recreate a scale model of the building using materials appropriate to the task. (Teachers should provide information about the required dimensions of the model appropriate to their specific situations.)

·         Teachers and students arrange the finished models around the classroom in the approximate orientation found in the Forum Romanum in order to provide students with a real sense of what the arrangement and relative positions were. Students present a formal oral report about the model they have created.

·         Alternatively, teachers may assign this project to be done on an individual basis and expand it beyond the Forum to include the Insula Tiberina, Ara Pacis, Mausolea of Augustus or Hadrian, Trajan’s Column, etc.

Assessment & Evaluation of Student Achievement

·         Formative: Teachers work with students to ensure that their research is progressing, the group dynamic is appropriate, and the models are being created out of appropriate materials.

·         Students create a scale model of the building selected reflecting the information gathered.

·         Summative: Students write a report based on their research on the building selected.

·         Students present an oral report.

·         Students write responses to test and exam questions based on the information presented in class.


Appendix 3.3.1

“And That’s the Way It  … Was” Assignment Outline

 

You are asked to create a news presentation as if it were happening at a specific time in the ancient world (appropriate to the topic chosen) and base it on the information studied in class as well as on your own research. Divide your news show so that several roles are represented; such as:

q          lead anchor

q          on-the-spot news reporter (at least one)

You must also include a selection of the following, depending on the number of members in your group:

q          weather reporter

q          sports reporter

q          human interest reporter

q          political commentator

q          entertainment reporter

q          consumer advocate

q          business reporter

q          advertisements

q          investigative reporter

 

Approximate Length: 10 minutes (minimum) – 25 minutes (maximum) depending on the size of your group. (You should plan for each person to fill approximately 3 – 4 minutes with his or her report. If your presentation is too short your evaluation will reflect it, so be careful!)

 

Topic Choices:

(Remember that there can be only one group per topic)

v         the murder of Remus by Romulus

v         the ousting of Tarquinius Superbus

v         the reforms of the Gracchi brothers

v         Caesar conquers Gaul

v         Caesar crosses the Rubicon

v         the murder of Caesar

v         Octavius wins at Actium

 

3          Each member of the group is responsible for writing the script for his or her segment.

3          You should each be ready to present in character on the date agreed upon, which means that you must prepare costumes and props as well.

3          You will be given some class time to meet with your group and prepare/practise. Use this time most effectively!

3          Try to make your segment entertaining as well as informative and ensure that it reflects accurately the material learned in class and gained through research.

3          Each member of the group will be marked for his or her contribution to the newscast individually; therefore, make sure you put forth your best efforts.

 

Presentation Date: ________________________________________________


Appendix 3.5.1

“A Mile in Their Sandals” - Writing in Role

 

You are asked to create a piece of writing in which you try to experience life from the perspective of someone else in the ancient world (either a literary or historical figure). Pay careful attention to the outline below as you prepare your submission. Select your subject with care.

Possible Subjects:

q          Romulus, Remus, Rhea Silvia, Numitor, Amulius, Mars, Faustulus, Acca Laurentia

q          Tarquinius Superbus

q          an Etruscan citizen, priest, king

q          Dido, Aeneas, Anna, Venus, Juno, Anchises, Ascanius, Lavinia,Turnus, Hannibal

q          Tiberius Gracchus, Gaius Gracchus

q          Gaius Marius, Sulla, Crassus, Pompey

q          Julius Caesar, Cornelia, Pompeia, Calpurnia

q          Cleopatra, Ptolemy Auletes, Caesarion, Cleopatra Selene, Alexander Helios, Ptolemy Philadelphos

q          Marc Antony, Fulvia, Octavia

q          Octavius/Augustus, Scribonia, Livia, Tiberius, Drusus, Julia, Agrippa

q          Caligula, Claudius, Agrippina, Nero

q          Vespasian, Domitian, Titus, Constantine, Caracalla, Elegabulus

q          Livy, Apuleius, Terence, Plautus, Propertius, Martial, St. Augustine

q          another character or individual of your choice, provided you check with the teacher before beginning

 

Choose your subject, consider what life would have been like from their perspective, and incorporate into this writing assignment aspects of Roman daily life and history which would be appropriate. Be sure to address:

 

v         significant events in the person’s life (in literature or history)

v         aspects of Roman daily life, culture, history appropriate to the person chosen

v         specific concerns related to gender and class as appropriate

 

Length: 750 words (minimum) – 1000 words (maximum)

 

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